A Quote by Irvin Kershner
I love my early movies, but naturalism is an artist's early style. Now I want to deal with feelings, dreams, an acceptance of irrationality.
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I suggest...that you develop early in life the habit of retiring and arising early. You remember the advice of Ben Franklin: "Early to bed and early to rise makes a man healthy, wealthy and wise.
I don't want to be an artist that gets stuck doing one thing. I don't want to be an artist who people look back at and say, 'His early work was really great.
I don't want to be an artist that gets stuck doing one thing. I don't want to be an artist who people look back at and say, 'His early work was really great.'
My filmmaking style of remixing came out of necessity. When I was a film theory student at UC Berkeley in the early 1990s, there were no film production facilities. The only way I learned to tell stories on film was by re-cutting and splicing together celluloid of old movies, early animated films, home films, sound slug - anything I could get my hands on.
If our early lessons of acceptance were as successful as our early lessons of anger how much happier we would all be.
I've been producing records, and as early as my late teens, early 20s, I put out a hip-hop record and then the Ringside stuff. You know, I just feel like I want to spend these years realizing all of my ambitions. I feel like we live in an age in which you can chase your dreams with focus and a vision.
I am really not of the school of naturalism. I like style, and you can use more style in theater than in film roles. I love to sink my teeth into a part.
Adequate early rest is best...."Early to bed and early to rise" is still good counsel.
In my early teens, I was a janitor. In high school, I got up early to deliver to accounts that required early service.
I do not think reading the mystics would hurt you myself: you say you must avoid books which deal with 'feelings' - but the mystics don't deal with feelings but with love which is a very different thing. You have too many 'feelings,' but not nearly enough love.
I think it's a great handicap to be discovered at an early age. I didn't have that burden of early success. I had the much more livable and durable career where success comes late, and comes slowly, and you ease into it. So by the time it comes, you're ready to deal with it.
Early access is very valuable, there are a lot of consumers who would love to see something early.
Early on it was much easier to play leads, but now independent movies are being co-opted by the studio system, and they want bigger names to guarantee more audience and more numbers.
Oddly enough, most of the books written about the subject aren't very good because they just focus on the more hateful movies that they did very early, early on when they were trying to, you know, get Germany into the war, whether it be anti-Semitic movies like "Jud Suss," or "The Eternal Jew," or movies made against the Polish to help, you know, create sympathy for them to invade Poland. You know, there'd be movies where there would be some German girl living in Poland who's raped by the Polish or something.
I remember early on, in my very, very early days, I had a makeup artist tell me that I needed to get an attitude. I had no idea what he was talking about.
I now resolved to go to bed early, with a firm purpose of also rising early the next day to revisit this charming walk; for I thought to myself, I have now seen this temple of the modern world imperfectly; I have seen it only by moonlight.
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