A Quote by J. C. Chandor

I did not grow up a cinefile. No one in my family was in the film business or even anything close to it. — © J. C. Chandor
I did not grow up a cinefile. No one in my family was in the film business or even anything close to it.
In a family business, you grow up with close contact to the business, whatever it is, and the beer business is certainly a very social type of business.
I didn't even have that many close LGBT friends or anything like that, but I suppose it was growing up and becoming aware of how you are in a cultural landscape that is blatantly homophobic... you turn around and say, 'Why did I grow up in a homophobic place? Why did I grow up in a misogynistic place?'
Though I technically come from a film family, my father had stopped making films even before my brother and I were born. So I did not really grow up in a filmi environment. And when I was growing up, becoming an actress was still quite a taboo. And you may not believe this, but even my father did not want me to join films.
I just wanted to do it all. Film and television was so strange to me because I didn't grow up in the business, I didn't know anything about it, and I had never been on set before. But, from the minute I got on set and did 'Old School,' I was like, 'I want to do this!'
Film and television was so strange to me because I didn't grow up in the business, I didn't know anything about it.
I didn't grow up, really, in the film business, even though my parents are both artists. I grew up in New York City. They would never put me into acting. I just kind of wanted it, and I told them that.
I didn't grow up in the slums or anything that dire, but I know what it is to grow up without having money or being able to support family.
I did not grow up in poverty. But I did grow up with a poor boy's sense of longing, in my case not for what my family had never had, but for what we had had and lost.
The fact is that you could not be, and still cannot be, a 25-year-old homosexual trying to make it in the British film business or the American film business or even the Italian film business. It just doesn't work and you're going to hit a brick wall at some point.
There were six kids in our family, and I grew up fast. I had to do a lot of things on my own. I was a rebellious teenager. That's why coming into the film business was good for me because it gave me some discipline. Once I became an actor, I had to grow up a little more.
I didn't grow up with a lot of babies in my life because I only grew up with my parents - I didn't have any brothers or sisters - and I didn't have my family close by.
I grew up in a family business... that really has provided the core of my belief in American small business, and in America's ability to grow and operate important businesses that can compete and be successful.
I didn't grow up with great privilege, nor did I grow up wanting for anything. I was a middle-class kid and, relative to the rest of the world, that's great wealth.
I did not grow up watching much TV and film. I had a very, very, very, very, very, very church family, and a lot of, like, secular stuff was not around my house.
My parents are in the business - they're actors - so I kind of grew up on a film set, which was a funny place to grow up.
We did anything possible just to get revenues so that we could grow and be a real business.
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