A Quote by J. J. Abrams

I think that the success of the film is as much about it being something that families could share as anything else. — © J. J. Abrams
I think that the success of the film is as much about it being something that families could share as anything else.
Like so many American families, our families weren't asking for much. They didn't begrudge anyone else's success or care that others had much more than they did, in fact, they admired it.
Like so many American families, our families weren't asking for much. They didn't begrudge anyone else's success or care that others had much more than they did... in fact, they admired it.
I was given a horn at an early age. I never really got a chance to think about doing anything else until I was about 18, when I realized I could do something else if I wanted to. In my teens, I was rolling in it.
I think the fun thing about doing a project under your own name is that literally anything could be a follow up, it doesn't necessarily need to be a record, it could be film related, it could be book related, it could be anything.
Nothing is more debilitating than to care about something you can't do anything about. And you can't do anything about your adult children. You can want better for them, and maybe even begin to provide something for them, but in the long run, you cannot do anything about someone else's vibration other than hold them in the best light you can, mentally, and then project that to them. And sometimes, distance makes that much more possible than being up close to them.
I think what's important for myself and anyone else who wants to create a film, or art, is [to] make sure that they have something to say, that they want to share something important, express something important.
I grew up in New York and I've always lived here, so I look at myself as a regular person. When somebody recognizes me from the film - and it can be a wide range of people, which shows the power of film - I feel like they're talking about someone else we both know. I just find it hard to believe that anyone would stop me to share how much they loved something that I was a part of.
I have only been acting since I was about eighteen. I couldn't imagine doing anything else. I don't think there is anything else I could do.
Acting came easy to me, I think. There's something about it that's a lot easier for me in the sense that you're playing someone else. In music, you're giving somebody 'you.' Being able to do that and being willing to share that is an entirely different thing.
It's the same with menus and men and just about anything else: we think we're choosing things for ourselves, but in fact we may not be choosing anything. It could be that everthing's being decided in advance and we pretend we're making choices. Free will may be an illusion. I often think that.
I think it's much more interesting to live not knowing than to have answers which might be wrong. I have approximate answers, and possible beliefs, and different degrees of uncertainty about different things, but I am not absolutely sure of anything. There are many things I don't know anything about, such as whether it means anything to ask "Why are we here?" I might think about it a little bit, and if I can't figure it out then I go on to something else. But I don't have to know an answer. I don't feel frightened by not knowing things, by being lost in the mysterious universe without having any purpose - which is the way it really is, as far as I can tell.
The only genre of movie that I could see making that doesn't have anything magical or otherworldly about it would be a war film. I'm very interested in history, and a war film could be something that would lure me in.
I left film because I felt that photography was my art. It was something I could do on my own, whereas film was so collaborative. I thought as a photographer I could make something that was artistic and that was mine, and I liked that. And it wasn't until I got back into film and I have very small crews and I could do very tiny filmmaking that wasn't 100 people that I still felt that I was making something artistic as a filmmaker. So, you know, I'm an artist, and whether it's photography or film, I want my voice to be there and I think my voice is very strong in this film.
I think the people that are best at something, they don't think about it much. That's the whole key to being good at anything.
I think Trump wanted to use his 2016 campaign to basically say to a lot of folks that liberals hate you. And we have to show a bolder economic plan than we have before, one, I think, that needs to be focused on jobs, that communicates to those voters that we do care, that we care as much about their success as any other success, anyone else's success.
Everybody thinks performance capture is about thrashing around and doing a lots of movement, but it's actually about being able to contain and think and be believed in a close-up, as much as anything else.
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