A Quote by J. J. Abrams

Withholding things in a story is no good if you aren't building to something substantial. It becomes foreplay without the main event, and no one wants that. — © J. J. Abrams
Withholding things in a story is no good if you aren't building to something substantial. It becomes foreplay without the main event, and no one wants that.
We have a substantial number of countries that have pledged and provided all kinds of support for the United States in the event that war becomes necessary in Iraq.
We're not mere spectators, or a cosmic accident, or some sideshow, or the Greek chorus to the main event. The human experience IS the main event.
It's a learning process, and now I know that even when you don't have a title, or you're not in a main event caliber program, you have to remain 'main event level' and always not allow anything to hinder that.
Works without faith are like a fish without water, it wants the element it should live in. A building without a basis cannot stand; faith is the foundation, and every good action is as a stone laid.
I do think the women should get paid, a main event is a main event.
Good story' means something worth telling that the world wants to hear. Finding this is your lonely task...But the love of a good story, of terrific characters and a world driven by your passion, courage, and creative gifts is still not enough. Your goal must be a good story well told.
I'm a name that can be as a co-main event or a main event and people want to see.
Don't spend months building something without any idea if someone actually wants it.
There is no good or bad without us, there is only perception. There is the event itself and the story we tell ourselves about what it means.
If I'm doing an event, if it's a charity event, where it's a walk-around event, where I gotta put a thousand small plates out in the course of a four-hour event, I gotta make sure I can do something that I know I can produce, that's going to be consistent and good all night long.
We brainstorm an idea and then we do flesh it out a little bit - we come up with a script, mostly to have beats and a sense of a story and a narrative arc. Often when we get into the space and onto the location, that changes and something we discover in the moment becomes the moment, becomes the story, becomes the character.
I get up in front of a bunch of kids and say 'Hey, I'm gonna tell you a new story. Who wants to be in a new story?' Well some kid always sticks up their hand and that gives me a name, but it doesn't give me a story. I just say whatever comes to my mind and usually it's not that good. Every once in a while, however, I say something that turns into a really good story.
It occurred to me that building a company was the best way to align a group of people towards building something great. And its really... it's a good organizational structure where you can really reward people. If they're building something that's good, you can you work with partners and reward them if the product that you're developing work well. It's a good way to get the best people involved to build something very good.
When you write a story, you’re telling yourself the story,” he said. “When you rewrite, your main job is taking out all the things that are not the story.
The main event has never been the manifestation; the main event has always been the way you feel moment by moment, because that's what life is.
It is better to have a plain, substantial building, with no extravagance about it, but without a debt, than to have the most splendid specimen of Gothic architecture that is overlaid by a mortgage.
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