A Quote by J. J. Abrams
I was just like, "I want to make a decent 2-D movie." I was so worried that, instead of being a decent 2-D movie, it would have been a bad 3-D one.
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I don't really like those sorts of actresses who say, 'I don't want to make that movie,' but they make the movie. They just spend their time not liking being on a set and I just think it's absurd, because we are so lucky to do this job. When you accept to make a movie, just make the movie. And then it's more easy for relationships.
If a movie has three decent scenes and a decent character, I think, 'OK, at least they got that guy right.'
'Chronicle 2' has become this question of, 'How do we all make a movie that we all respect?' And that's true to what 'Chronicle' is. There's no one at the studio who wants to make a bad movie. They all want to make a good movie just as much as I do.
Chronicle 2 has become this question of, 'How do we all make a movie that we all respect?' And that's true to what 'Chronicle' is. There's no one at the studio who wants to make a bad movie. They all want to make a good movie just as much as I do.
Something snapped inside her. “Of course I’m afraid! Relationships do bad things to me.” He started to respond, but the pain had gone on long enough, and she didn’t want to hear it. “You know what I want? I want peace. I want a good job and a decent place to live. I want to read books and listen to music and have time to make some female friendships that are going to last. When I wake up in the morning, I want to know that I have a decent shot at being happy. And here’s what’s really sad. Until I met you, I was almost there.
It really has been a blessing because you can go and look at our other movies we've done in a studio system. We didn't get to make the movie that we wanted to make. We made the movie that someone else wanted us to make. That can be a little disheartening, a lot disheartening. While there have been struggles, it doesn't matter which table you're at because you're going to have obstacles, but I kind of like being able to make the movie that you want to make.
And I have been able to establish this sort of decent reputation as being a decent character actor.
Everybody was being decent, and when people are decent, thing work out for everybody. That has been my theory all through life. If you're making money, let the other fellow make it too. If somebody's getting hurt, it's bad, but if you can work a thing out so that everybody profits that's the ideal business.
'The Dark Knight,' 'The Rocketeer' and definitely the first 'Superman' movie by Richard Donner are the best. I tend to be softer in my judgment about what's a bad movie - I don't think anyone intends to make a bad movie, and sometimes it just doesn't click for some reason.
One expects decent people to stand up for the good of all. Decent people shut their doors and hide behind them as decent people do. Massacres could never happen if it weren't for decent people.
I used to have a group called Bad-Movie Saturday. Every Saturday, six of us would go see the worst movie that came out each weekend. It'd be noon in Burbank. It was just a running commentary. All executives - we would each talk through the movie and make jokes.
don't let anything make you believe that there are not as many decent men in the world as women, and they're just as decent. Life isn't worth living unless you know that - and it's true.
The idea of being in a hugely successful movie that I don't like would be just as bad as being in a film that I love that no one sees. I wouldn't want the kind of success that felt cheap or that I didn't own.
So if people have an opportunity for a decent job, a decent education, a decent health care system and security, I know that forceful migration will be reduced to zero.
It's basically how I choose movie roles. Would I like to see this movie? Is this movie important? Why would I do this? And Headhunters is a movie that I would like to see in the cinema. And when it's sold to 50 countries or whatever, for me it's a great deal. I make movies for an audience so if that audience grows, I feel really honoured and thankful for it.
I would have been content with still playing Inmate #1. I worked on every prison movie made, from 1985 to 1991. I would go from movie to movie to movie.
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