A Quote by J. J. Abrams
When I was a kid going into the movies, you weren't force-fed information everywhere you looked about what the movie was going to be.
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Nowadays the movies that people are going to see in the theaters are the big-event movies, like Spider-Man or something, or they're 25-year-old models who are vampires, or they're very broad comedies, or they're standard action movies. So if you're going to work for a studio and do a movie for the budget that the movie needs, those are the kinds of movies you'll be in.
When I was a kid going to the movies, we'd go because Bogart was in the movie, or Cagney, or John Wayne. We didn't know what the story was about or anything.
Comedy makes everything accessible. Watching the news is kind of like being fed your evening pill. What's fun about it? Nothing. And so if you can get news and information about things going on in the world through a comic platform, everything's going to connect.
When I'm on the road making a movie in another city, on my day off, I always go to the movies. I love going to the movies. You get a ticket and sit there, and it's very interesting to be around people who aren't personally invested in you, in any way. They're just going to the movies.
For movies, I usually do an entire book that has all kinds of things about what is happening at the time the movie is going on and try to get into what my character's going to be like, to try to get some consistency, because they shoot movies out of order.
I was a barfly, so going to work and acting and rehearsing and then going and sitting in a bar and drinking and then going home was sort of my lifestyle. And there was none of that out here in the '70s when I was lucky enough to get movies, and nobody else that I knew was working in movies at that point. I didn't really have a lot of movie friends.
As a kid, a little kid I loved going to the movies, and now I love making movies.
As a kid, a little kid, I loved going to the movies, and now I love making movies.
Everywhere I looked life seemed to be full of problems and they were just going to go on and on. It was never going to get any better.
I never thought I was going to make a movie about men. I've always thought we don't have enough movies about women, and if I spent my whole life making movies only about women, there still wouldn't be enough movies about women, so that's a wonderful thing to dedicate my career to.
We've always loved going to the movies. Our mom and dad are big movie fans. They'd take us on these movie orgys where we'd see sometimes three movies in a day.
If you stop and think about who was in the 'Lassie' movies, it's difficult to think who was in them, apart from Elizabeth Taylor. You remember the dog, not the people! So if you're going to be in a movie, and it's called 'Gremlins', it's going to be about Gremlins, and what people are going to remember are the Gremlins.
Well, this movie I've been working on for a while. I had the idea for the movie like twenty years ago when I was doing 'Empire of the Sun' in 1987 because at that time that's when all these Vietnam movies were being made and my friends and I were going on auditions for these Vietnam movies and my friends were getting them and going away to fake boot camps.
Growing up, I was a huge fan of horror movies. There's nothing more fun than going into a movie with a smile because you know you're going to be scared to death. There's something thrilling about sitting there waiting for a scare to happen.
When I was a kid, it wasn't very often that I could go to the movies and see an entire movie carried on the shoulders of someone who looked like me.
I don't believe in making movies to cater to a foreign audience. You never know what the reaction is going to be anyhow. At the time I made Maborosi, the Japanese movies getting any foreign attention were all period dramas and seemed to be about some representative element of Japanese life, and my movie was contemporary movie about one specific woman trying to understand her husband's suicide.
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