A Quote by Jack O'Connell

I've had the good fortune of studying the 17th-century art of Amsterdam in preparation for a film. — © Jack O'Connell
I've had the good fortune of studying the 17th-century art of Amsterdam in preparation for a film.
Amsterdam lives and breathes creativity. One moment you walk into a building from the 17th century, and the next you find yourself in a hub of creative start-up companies.
One layer was certainly 17th century. The 18th century in him is obvious. There was the 19th century, and a large slice, of course, of the 20th century; and another, curious layer which may possibly have been the 21st.
Film is more than the twentieth-century art. It's another part of the twentieth-century mind. It's the world seen from inside. We've come to a certain point in the history of film. If a thing can be filmed, the film is implied in the thing itself. This is where we are. The twentieth century is on film. You have to ask yourself if there's anything about us more important than the fact that we're constantly on film, constantly watching ourselves.
A good rapper is an amazing thing to me. It's like a 17th-, 18th-century poet.
Studying economics is not a good preparation for dealing with it.
There was once a time when art history and film were basically the same medium, but art history is frozen in late-19th-century technology that has survived into the early 21st century.
I mean, certainly it's the single biggest event, I think, in terms of popular entertainment, or art even, if you say that, of the 20th Century. It's been film. It's the 20th Century's real art form.
I live in the Dark Ages, the 17th century. Actually, I would have loved to be in Paris in the early 20th century when the Ballets Russes were there and Chanel was designing.
My father was born in Amsterdam in a highly religious family. He was in Amsterdam, and he went into hiding right near where Anne Frank was. He was a theoretical physicist and the last Jew to get a Ph.D. in Amsterdam.
In the Christian world, as you remember, Christianity is in the 21st century, Islam is in the 15th century. I don't mean to say that Islam is backward; I mean to say that there are certain experiences that it hasn't gone through. Christianity had the great religious wars of the 17th century. Islam, fortunately for the Muslims, did not have that. Christianity worked out a system of toleration. Islam was always more tolerant of Christendom.
As I look back on it now, it's obvious that studying history and philosophy was much better preparation for the stock market than, say, studying statistics.
I was once a fortunate man but at some point fortune abandoned me. But true good fortune is what you make for yourself. Good fortune: good character, good intentions, and good actions.
Composers can do things that weren't allowed in the 17th century. Until we had composers like Igor Stravinsky and Sergei Rachmaninoff to break the rules.
The approach to that movie wasn't, 'Lets make this movie about Amsterdam and maple syrup.' The concept was, 'Lets go to Amsterdam. Amsterdam is fun.' So we flew to Amsterdam with our cameras and we saw what happened and then we got back and we sat down and we said, 'What's the movie here.' That's when we realized that the movie was 'The Maple Syrup Saga'.
The prime motivation in making almost any film is success, because film is the art form of the 20th century.
the Musgroves had had the ill fortune of a very troublesome, hopeless son, and the good fortune to lose him before he reached his twentieth year.
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