A Quote by Jackie Chan
I now have two different audiences. There's the one that has been watching my action films for 20 years, and the American family audience. American jokes, less fighting.
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'St. Elmo's Fire' is one of my favorite films. I like the storytelling of those teenage American films. You don't get that now. Teenage American movies are all about sick jokes, puking a lot, arse jokes.
American films are less American every day, because you have to please a world audience. There's less authenticity, so it's more accessible.
In the olden days films used to become huge hits because of family audiences. But nowadays certain films cater to youth audience and once that is exploited then the film stops. and some films are for a mature audience. My aim is to satisfy all the sections of the audiences.
All American wars (except the Civil War) have been fought with the odds overwhelmingly in favor of the Americans. In the history of armed combat such affairs as the Mexican and Spanish-American Wars must be ranked, not as wars at all, but as organized assassinations. In the two World Wars, no American faced a bullet until his adversaries had been worn down by years of fighting others.
Even during the promotion I told people that I didn't like Rush Hour. The jokes I didn't understand and the fighting, compared to my Hong Kong films was terrible. A lot of people didn't like it. But mostly people did like it, they really liked it. Rush Hour really brought me to the American family audience.
My relationship with American audiences is the exact same as it always has been. They never came to see my films, and they don't come now.
I grew up watching American films, listening to American music, and it's a big contribution to the rest of the world. I mean, American jazz, for me, is the best thing culturally that America has produced.
When I first envisioned 'Funny Games' in the mid-1990s, it was my intention to have an American audience watch the movie. It is a reaction to a certain American cinema, its violence, its naivety, the way American cinema toys with human beings. In many American films, violence is made consumable.
American films are the best films. This is a fact. Cinema is - along with Jazz - the great American art form. And cinema in a very real sense created the American identity that has been exported around the world.
Talk to me 20 years ago and I had a complete sense of illegitimacy as an American Muslim. I felt like I wasn't authentic. But I don't understand and I don't believe or subscribe to this idea that I don't have a right to speak as a Muslim because I'm an American. Being Muslim is to accept and honor the diversity that we have in this world, culturally and physically, because that's what Islam teaches, that we are people of many tribes. I think the American Muslim experience is of a different tribe than the Saudi Muslim world, but that doesn't make us less than anyone else.
TV works at such amazing deadlines and the audiences you're catering to is a very different audience than the one that watches films as the attention span is less.
I make American films for American audiences and Asian films for Asian audiences.
Our attitude toward our own culture has recently been characterized by two qualities, braggadocio and petulance. Braggadocio - empty boasting of American power, American virtue, American know-how - has dominated our foreign relations now for some decades. Here at home - within the family, so to speak - our attitude to our culture expresses a superficially different spirit, the spirit of petulance. Never before, perhaps, has a culture been so fragmented into groups, each full of its own virtue, each annoyed and irritated at the others.
The British audience was very important to me. I have always looked away from American to non-American audiences and so this was important.
I grew up watching American movies. My favorite movies have always been American, since as long as I can remember. I always had this huge respect for American filmmakers and American actors.
We can now have action movies with two stars where one might be African American and one might be Asian American. One of them doesn't have to be white, and the other one doesn't have to be the ethnic sidekick. We're way over that. And I think it's happening in society, too.
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