A Quote by Jackie Cooper
I would also like to act, once in a while, but not get up every morning at 5:30 or six o'clock and pound into the studio and get home at 7:30 or eight o'clock at night, or act over and over and over every night on Broadway, either.
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Homey don't quit. What else are you gonna do? It's like those guys in the cartoon they get up in the morning, check the clock and fight all day and after it's over they check the clock and go home. That's how it goes.
I think my real depressions started when I was about 16 and doing The Patty Duke Show. I would go to bed at about 10 o'clock on a Friday night and not get up again until 6:30 Monday morning
I think my real depressions started when I was about 16 and doing The Patty Duke Show. I would go to bed at about 10 o'clock on a Friday night and not get up again until 6:30 Monday morning.
I dont work weekends. Weekends are for my kids. And I have dinner at home every night when Im not physically directing a movie - I get home by six. I put the kids to bed and tell them stories and take them to school the next morning. I work basically from 9.30 to 5.30 and Im strict about that.
For writing, I get up early in the morning - 5 o'clock, 4:30. I'm a morning person... So I try to do it while people are asleep. The mornings are the nicest.
Whether it's eight o'clock in the morning or eight o'clock at night, I always try to greet others before they have a chance to speak to me.
People are most shocked and most in disbelief that I go to the office every day. I have a job. When I'm not acting on a movie, I go to work, first thing in the morning. I'm at work at 8 o'clock in the morning, and I get home from work at 7 o'clock at night. I treat my job like a job, and I work at it. I think people would probably be most surprised, if I ever calculated up the number of hours I work on an average week and published that. If it was ever documented, I think people would be shocked to find out.
I have my routine. In the evenings I watch 'Seinfeld' and 'Frasier.' That finishes about 11.30 and then I go to bed. I get up at eight o'clock every day, and I'm on the phone straight away, doing business.
I literally have meetings at eight o'clock in the morning, and I finish at nine o'clock at night. It sounds pathetic, but I don't even have time to go shopping.
Let me tell you about my day. I get up at 8 o'clock in the morning. At 8:30 am, I leave the house and I arrive at my office at 8:37. I stay in the office until 2 o'clock in the afternoon. I get in my Porsche and I'm home at 2:03 because the one-way streets make it faster for me to drive. And between 8:36 am and 2 pm, I'm doing one of three things: I'm writing. I'm staring out the window. Or I'm writhing on the floor.
We don't get to get swept up, because we have to start over every day at 8 o'clock.
You might have, as a character, 30 pages of dialogue a day if you're what they call a 'front-burner story.' So you go home, you learn your lines for the next day, you get up, you're there at 7 in the morning, you do a quick rehearsal, you're on camera, you might leave, you know, at 7 at night and start the whole thing over again.
Father and son games - that was the best day. We'd be dressed at 6 o'clock in the morning. The game would be at 7 o'clock at night... And we'd play at, like, 5.
My dad would pick me up every other Friday at 6 o'clock and drop me off every Sunday at 6 o'clock, and I remember those last couple hours, like around 4 o'clock, my dad would get kind of sad because he knew that he was about to not see me for two more weeks.
It's very easy in the studio to get overzealous with your vocal takes, thinking, 'Oh yeah, I can do it over and over. I can sing at the top of my range for this whole song.' But when you're doing it every night on the road, it's pretty intense.
I was super-obsessed with cover videos. When I was, like, 10, I would come home from school and watch them from 4 o'clock until 8 o'clock every night. I was so intrigued that people took these super-popular songs and did them their own way.
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