A Quote by Jacqueline Novogratz
I think I still have a great sense of adventure and trust, and am surprisingly idealistic given all the horrible things I've seen since I was 25. I think how I have changed is that I have a much deeper understanding of the dark forces in the world, of power.
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The idea that God will pardon a rebel who has not given up his rebellion is contrary both to the Scriptures and to common sense. How horrible to contemplate a church full of persons who have been pardoned but who still love sin and hate the ways of righteousness. And how much more horrible to think of heaven as filled with sinners who had not repented nor changed their way of living.
There was this kind of wackiness that was really embraced and put on a pedestal. It was before the millennium. We were envisioning a future that was mostly idealistic. I think that came crashing down a little bit in 9/11, or a lot. There is something about Portland that does seem to still exist in this total idealistic world and total idealistic mind frame, and I think that's what Dream of the '90s is talking about.
Kids not only understand [a dark story] but appreciate it … Because in the real world there's fear, and dark things happen no matter how young you are. People lose parents, people lose friends … There's darkness in the world. So I think when kids are talked to in that way, they appreciate it. They're not being given some candy-coated, 'Oh, this is a world where there are no stakes.' I think that actually insults their intelligence.
[I was] feeling like I'd done something horrible, "I'm a despicable person and I'm perverse," and all these things, to a sense of the power and the necessity, in a sense, of horror films and dealing with dark material.
We now know how things were in the '60s and how things have changed, but I don't think we appreciate how much things have changed.
I do honestly think that if women were running the world there would be more investment in peace, because basically as women we do not want to see our children killed. Maybe I am completely idealistic, but until we see women in equal positions of power in the world, I just think that we are doomed.
And so there are a lot of bad things. And in this campaign, if there's somebody you don't think should be nominated, if you think there's a coarseness to the campaign that's horrible, if you think it's creating voices around the world that seem to speak for America and damages in the world, you may say it's pretty horrible. On the other hand - what's the reverse?
It is a dark, dark world. If you're going to be in a dark world, I can't think of any better one to be in. I still think I'm very lucky to be in it.
I think the important thing about staying creative and staying sharp and original is not to look back too much, and to kind of look to where your vision is going now. But I have felt over the years a definite progression or arc from feeling guilty about what I had done with the first one, because certainly there was all that fundamentalist guilt that came pouring back in. Feeling like I'd done something horrible, "I'm a despicable person and I'm perverse," and all these things, to a sense of the power and the necessity, in a sense, of horror films and dealing with dark material.
I know you think this world is too dark to even dream in color, but I’ve seen flowers bloom at midnight. I’ve seen kites fly in gray skies and they were real close to looking like the sunrise, and sometime it takes the most wounded wings the most broken things to notice how strong the breeze is, how precious the flight.
Human nature doesn't really change a lot. We haven't changed that much and politics haven't changed that much. It's still the same things we're debating today that we did 300 years ago, which is a little bit scary when you think about it.
I think since I did Monster I really started understanding how hard it is for first time directors. I think there's a lot of great stories out there, but it's high risk.
It [motherhood] has changed absolutely everything. I mean, it's changed my life. I think I've changed as a human being more since I've had Kai than in any other period in my life...It's such an incredible catalyst for growth. I found myself questioning absolutely everything: how I spend my time, how I speak, what kind of projects I work on, how I look at the world.
That's why our comics are important: they're pointing things out and laughing at the same time. There have been horrible, horrible times in history. They're mostly horrible times. But not to laugh? Not to find humor in something like dark optimism/bright pessimism - I think that's sad, frankly.
I certainly am not alone in the world with this demand; I am in the best of company. Let it be said that no self-respecting people and no responsible government would be able to think or much less act differently in such a case. The world has already seen a great many wars lost in the past.
It's very common to think that we're always evolving, that we've changed so much from our younger selves, that within decades we've transformed into these different people. We like to think that. I feel in some ways that I am still so much my younger self. There are ways that I'm different: I feel like I'm wiser and kinder. But I think a lot of the impulses are still the same. I learned that.
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