A Quote by Jacques Audiard
Do we root for Michael Corleone in the 'Godfather' films? I think so, even if he is a monster.
Related Quotes
I was up for Michael Corleone in 'The Godfather,' but, as I was only 10 at the time, I think Mr. Coppola made the right choice. The Julia Roberts role in 'Pretty Woman' held a bizarre allure for me. But, it's silly to look back with regret.
Two things you almost always see when 'MTV Cribs' features a black superstar: a poster of Tony Montana and a poster of the Godfather. Montana and Michael Corleone, though fictional, are considered heroes by young black men everywhere.
The experimental film scene was very much misogynistic as well. I don't know if you have read what little attention was given to the films of Joyce Wieland, who was the wife of Michael Snow. Michael was the "genius" and she was not. If you look at the films they're wonderful, but very different. Michael was very proud of the films too, so it was not coming from him. It was coming from the general environment. I think both Chantal Akerman and I shared that. We wanted to find a language, which was the language of women.
I was talking about [Donald] Trump and certain things he was saying, that he wanted to go into Iraq and just "take the oil." I said he sounded like the Corleone Family from The Godfather, you know, "Let's just get it all while we got the muscle."
I loved the Godfather. I thought that was the best interpretation of our life that Ive ever seen. Godfather I and Godfather II - the other one stunk.
In a new campaign ad, Jeb Bush referenced 'The Godfather' and said his nickname used to be 'Veto Corleone' because he vetoed so many bills in Florida. When you're the third person in your family to run for president, maybe you shouldn't bring up a movie trilogy where the third one was clearly the worst.
I try to express in my films things that no other art can approach. In my monster films for example, I use special effects in the same way one would use a special film stock, a special camera, and so on. Monster films permit me to use all of these elements at the same time. They are the most visual kind of film.
I think, in some ways, Michael Jackson is out of touch with reality, and I don't think he has people around him who can say, Michael, can't do this. Michael, you can't do that. Michael, you can't say this. You know, I think he has been so big for so long that he can do whatever he wants to do.
I never think there's any competition between films. I root for everybody's films. I especially have a fond place in my heart for graphic novels and comics.
Let's put it in old movie Mafia terms. There are guys that are in position to get by but they didn't wait their turn. They back-doored the top guy to get the power. For example, Sonny Corleone went up there, and he wanted to be the top guy. And the Godfather said, 'You know what dude, I'm a star.' That's what I'm doing now, and that's what I was trying to do with what's-his-name.
The monster behind the wall stirred. I'd come to think of it as a monster, but it was just me. Or the darker part of me, at least. You probably think it would be creepy to have a real monster hiding inside of you, but trust me - it's far, far worse when the monster is really just your own mind. Calling it a monster seemed to distance it a little, which made me feel better about it. Not much better, but I take what I can get.
People look at me as if I were some sort of monster, but I can't think why. In my macabre pictures, I have either been a monster-maker or a monster-destroyer, but never a monster. Actually, I'm a gentle fellow. Never harmed a fly. I love animals, and when I'm in the country I'm a keen bird-watcher.
My past films came out on home entertainment in the U.S., so the next question was, how do we get a theatrical in the U.S.? Well, you put a monster in it. That will do it, because people love monster movies.
In fact, with Michael Jackson, I think those mourning people... They aren't even waking Michael, they're waking the Michael Jackson of '84. They never were given a chance to give their respects to the death of the guy they loved back in '84.
I always root for the monster.
In horror films, they sometimes don't show the monster because our imaginations and our own pain is so much greater. Social media is like that. I think it's so great. It doesn't have to show a monster - when you see someone leaving a mean comment, or living a so-called perfect life, you just put all of your pain into that.
Related Authors
Alejandro Gonzalez Inarritu Quotes
Mexican
Director
Ava DuVernay Quotes
American
Director
David Lynch Quotes
American
Director
George Lucas Quotes
American
Director
Guillermo del Toro Quotes
Mexican
Director
John Waters Quotes
American
Director
Judd Apatow Quotes
American
Director
Martin Scorsese Quotes
American
Director
Nicolas Winding Refn Quotes
Danish
Director
Oliver Stone Quotes
American
Director
Peter Jackson Quotes
New Zealander
Director
Quentin Tarantino Quotes
American
Director
Ridley Scott Quotes
British
Director
Steven Spielberg Quotes
American
Director
Werner Herzog Quotes
German
Director
Woody Allen Quotes
American
Director