A Quote by Jacques Rivette
And Twin Peaks, the Film is the craziest film in the history of cinema. I have no idea what happened, I have no idea what I saw, all I know is that I left the theater floating six feet above the ground.
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When I went to the cinema as a boy, when I saw a war film, I thought the general was the star, and that Cary Grant was an extra. I had no idea about the structure of film, but I loved going to the cinema.
The business side of film has goofed up so many things, but even that's changing. It happened to the music industry and now it's happening to the film studios. It's crazy what's going on. But artists should have control of their work; especially if, as I always say, you never turn down a good idea and never take a bad idea.
I think film is a world of directors. Theater is a world of actors. Or, theater is for actors as cinema is for directors. I started in theater. Filming is as complete as directing film. In theater, you are there, you have a character, you have a play, you have a light, you have a set, you have an audience, and you're in control, and every night is different depending on you and the relationship with the other actors. It's as simple as that. So, you are given all the tools.
We can't keep thinking in a limited way about what cinema is. We still don't know what cinema is. Maybe cinema could only really apply to the past or the first 100 years, when people actually went to a theater to see a film, you see?
Film students should stay as far away from film schools and film teachers as possible. The only school for the cinema is the cinema.
I'll definitely say that, before film school, I didn't have much of a film-history background. I didn't know much about classic cinema.
See, a painting is much cheaper than making a film. And photography is, you know, way cheap. So if I get an idea for a film, there are many ways to get it together and go realise that film. There's really nothing to be afraid of.
In a sense, 'Twin Peaks' never really went away. They've got a 'Twin Peaks' convention up in Washington every year, and I'm pretty much recognized on a fairly regular basis from 'Twin Peaks,' so I feel like it never really got too far away.
I think that narrative, fiction filmmaking is the culmination of several art forms: theater, art history, architecture. Whereas doc filmmaking is more pure cinema, like cinema verite is film in its purest form.
The Lego Movie: Merely a great film, or the greatest film ever in the history of cinema?
I'm not coming from film school. I learned cinema in the cinema watching films, so you always have a curiosity. I say, 'Well, what if I make a film in this genre? What if I make this film like this?'
When you're so passionate about cinema, the idea to direct your own film is really appealing.
One night I had an idea while I was at the movies: to photograph the film itself. I tried to imagine photographing an entire feature film with my camera. I could already picture the projection screen making itself visible as a white rectangle. In my imagination, this would appear as a glowing, white rectangle; it would come forward from the projection surface and illuminate the entire theater. This idea struck me as being very interesting, mysterious, and even religious.
I like broad comedy. If I had an idea tomorrow for a film that was all slapstick and broad comedy, and it was an idea that interested me, I would not hesitate to do it because I enjoy watching these kinds of film.
I did New York, I Love You which is a very personal film for me. My most personal film, but it's not like a film I've ever made. I would never do that film as a feature, for instance, because it's not very commercial of an idea.
Jumping out a window five hundred feet above ground is not usually my idea of fun. Especially when I'm wearing bronze wings and flapping my arms like a duck.
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