A Quote by Jake Peavy

Any city that's worth a dang certainly has a musical heartbeat, a culture, and a scene that can stand on its own. — © Jake Peavy
Any city that's worth a dang certainly has a musical heartbeat, a culture, and a scene that can stand on its own.
Livin' is like pourin' water out of a tumbler into a dang Coca-Cola bottle. If'n you skeered you can't do it, you cain't. If'n you say to yourself, "By dang, I can do it!" then, by dang, you won't slosh a drop.
And at any moment it all ends with a heartbeat…just one heartbeat, and there’s no more time. One heartbeat and the chance to be saved is gone. One heartbeat and there’s no more choosing—it’s all sealed for eternal life or eternal death.
'Evita' was four pieces of slick paper and a record album. It's the most scary, to sit down and dictate a musical scene by scene. It was a musical unlike anything I'd ever seen before myself.
People who are in it for their own good are individualists. They don't share the same heartbeat that makes a team so great. A great unit, whether it be football or any organization, shares the same heartbeat.
We should never denigrate any other culture but rather help people to understand the relationship between their own culture and the dominant culture. When you understand another culture or language, it does not mean that you have to lose your own culture.
There's a heartbeat in any country that carries on regardless - at least in Europe. That's what worries me about America, because I'm not sure what that heartbeat is - unless it's the heartbeat of someone who's just arrived, who just ran over the border two weeks ago.
An observer will see the bizarre developments of behavior only in alien cultures, not his own. Nevertheless this is obviously a local and temporary bias. There is no reason to suppose that any one culture has seized upon an eternal sanity and will stand in history as a solitary solution of the human problem. Even the next generation knows better. Our only scientific course is to consider our own culture, so far as we are able, as one example among innumerable others of the variant configurations of human culture.
I first did stand-up when I was 17, and then I passed out fliers for a comedy club (in New York City) and I got onstage whenever I could. And musical theater went out the window as soon as I started doing stand-up.
Any musical form that has been around long enough to have cultural resonance beyond just being a cutting edge kind of communication - but, especially, when it begins to reflect on a time and reflect on a culture - is effective in a musical.
Almost anything worth doing involves some measure of risk - from learning to ride a bike, moving to a new city, and certainly, starting your own business. The point is that no one has ever started a business or created a new product with a guarantee of success.
Toronto may be the only city where novels are integral to high art, the alternative scene and mainstream culture all at the same time.
I don't think any movie or any book or any work of art can solve the stalemate in the Middle East today. But it's certainly worth a try.
Your mother’s heartbeat is the first sound you ever hear and your own heartbeat is the last.
Sometimes when I do a musical, they'll be a scene that comes up, and I'm like, 'Oh, I hate this scene,' but you get through it.
As soon as you start asking what education is for, what the use of it is, you're abandoning the basic assumption of any true culture, that education is worth while for its own sake.
If you've been to the city of Malmo in Sweden, or to Berlin or to Hamburg or to London or to Paris in the suburbs, or Rotterdam in my own country. You see many cities where there is a city within a city - where even today in the United Kingdom - I don't know if you're aware of that - there are even sharia courts active, whether it's rulings that the worth of a woman is half of that of a man.
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