A Quote by Jamaica Kincaid
For me, writing isn't a way of being public or private; it's just a way of being. The process is always full of pain, but I like that. It's a reality, and I just accept it as something not to be avoided.
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For me, writing isn't a way of being public or private; it's just a way of being. The process is always full of pain, but I like that. It's a reality, and I just accept it as something not to be avoided. This is the life I have. This is the life I write about.
And it's just anathema to being a writer. It's not healthy. But in another way, when I'm writing, what it's about for me is being good on the page. None of that noise could change the way I feel about my writing. Which is not always particularly positive.
My earliest memories are being in the lab, and the way the cement felt and the way it smelled, and the way the countertops looked and it just being this wonderful, warm, happy place where it was just full of toys.
I just always felt whole when I was writing. I felt this kind of beautiful privacy that I never felt in any other way. I feel like there's this great fullness to being alone, and writing is a really vivid way and a really magical way of being alone.
That's the best part of being in private practice, by the way: being able to say whatever I want. In the government I couldn't talk to reporters and couldn't speak to the public, and now I just feel free. I have a First Amendment right again, and I exercise it daily.
I think being in the public eye has made me more determined than other people to show that I do belong at the top, and I believe I am one of the hardest-working people at the rink. I feel like I have always been that way, but sometimes I just get in my own way.
One of my idols is my dad. All his work in Motown, and just the way he conducted himself as a human being was always interesting to me, and it seemed like the successful way, and it is a successful way, and I always wanted to do that. He's funny, and all that stuff.
I started going out with one of my managers and he really grew me up in a lot of ways. He introduced me not just to being a full-time traveler, which I was, but he was also really very interested in history and art and continued to open my eyes up to regional history; less splashy histories. He was interested in historical societies and stuff like that. He introduced me to a way of looking at the way communities form that is the foundation for the book that I've just finished writing that has to do with what I see as effective community-building wherever I've been traveling.
Finally we are being told the truth: life isn’t always easy and pleasant. We already know this to be true, but somehow we tend to go through life thinking that there is something wrong with us when we experience sadness, grief, and physical and emotional pain. The first truth points out that this is just the way it is. There is nothing wrong with you: you have just been born into a realm where pain is a given.
When you'd get a note from someone, the government, it meant something was wrong. This was the way it was. Just goes to show you the way that being a chef has changed, you know - being on the bottom of the social scale and now being what we are, it's incredible, it's terrific.
I'm an actor who loves to direct film, if I find something that I'm compelled to do and want to spend three or four years doing. I really love the process, though. I might have to just say, "Yeah, I want to direct that," because I want to direct something, but that's just not the way my being is. It's got to be a necessity for me, otherwise I'll just keep acting.
The writing process is more... it becomes a case of more like a diary for me. I mean, I write stuff down all day whenever I'm experiencing something that I think would be important for me to look at later on. You know, whether it be for writing lyrics or just for a memory, like, 'Oh, my gosh, I can't believe I was feeling that way at that time'.
That's another way of writing a song, of course. Just talking to somebody that ain't there. That's the best way. That's the truest way. Then it just becomes a question of how heroic your speech is. To me, it's something to strive after.
Poetry is a way of always paying attention to the world for me; a way of letting the world stick to me instead of being anxious or estranged, just being present in the world.
Well I can tell you that for me generally speaking that I think things that I deal with are all to do with not accepting things, not excepting life on life's terms. My life becomes a lot easier when I'm willing to just accept. I don't have to like circumstances as they are, but I have to accept them and that's where I always seem to get thrown, when I try to will my way instead of accept things the way they are.
When I used to teach writing, what I would tell my playwriting students is that while you're writing your plays, you're also writing the playwright. You're developing yourself as a persona, as a public persona. It's going to be partly exposed through the writing itself and partly created by all the paraphernalia that attaches itself to writing. But you aren't simply an invisible being or your own private being at work. You're kind of a public figure, as well.
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