A Quote by James Bobin
I love the idea that if you build something with enough depth and texture, you can watch it again and again and see new things every time, and that's very important.
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I love archival films very much. I spent thousands of hours watching archive footage. Every time I see it, I see something. Sometimes I think I know this footage, but two years later, I see it again, and I see something new.
I wanted to make an album that I wanted to put on myself and could listen to again and again. In the past I've done these records that are very in-depth. I love them and I'm very proud of them but I've always found it hard to listen to them again and again...they're very demanding.
Do what you LOVE to do, and do it so well that those who come to see you do it will bring others to watch you do it again and again and again.
In general, I try to avoid anything that I'm in. I've been that way for awhile. I don't know why. You have to watch, professionally, the things that you're required to watch, but it's not something that I would sit down and watch, again and again.
It's very important that we start creating new content again. We can only build on nostalgia so much before we have nothing left to build on.
I feel like every night, when you see a really good production of 'Romeo and Juliet' or something, you should hope that it ends differently. That's why we watch our favorite movies again and again.
There's this idea that artists are free and that means that we can do whatever we want to do. And it's very important to engage with this idea, just as human beings, that we are free to do what we wanna do. So the real question becomes, then, what do we wanna do? And as one gets to know oneself, one finds that there are things that return again and again that you wanna do.
First examine what is constantly there in your mind, what is being repeated again and again. You don't have many thoughts. If you examine minutely you will see that you have only a few thoughts repeated again and again - maybe in new forms, new colors, new garments, new masks, but you have only a very few thoughts.
I change many things, discard others, and try again and again until I am satisfied; then, in my head, I being to elaborate the work in its breadth, its narrowness, its height, its depth...I hear and see the image in front of me from every angle as if it had been cast and only the labour of writing it down remains.
It's incredibly important to me that you remember a song right after the first or second time you hear it. That something sticks to you, something that makes you feel, 'I need to hear that song again.' That's fundamental. Something you want again. And again.
I've seen the slip a few times. I don't have to watch something like that to go through the pain again and again and again.
Films like 'Scarface', 'The Godfather', 'Goodfellas' and 'Casino' are something I can watch again and again and from anywhere. I love them so I have to make one.
You try and imagine what it must have been like to first see something moving on a screen. It must have blown your mind, because up to then life went by and there was no way to capture it. You could only get one instant and you didn't get the movement. So it's like having a bit of control over time really, because it's happening in real time or what seems to be real time, and then you can play it backwards and you can watch things again and again.
I'd just like to see thinking come back in style. I haven't heard a new idea in eight years. Let's get ordinary people arguing and talking again. I want to trigger new circuits in their nervous systems. That's the philosopher's job and I am the most important philosopher at this time.
The stressful thing about being an actor is, like, you have to kind of audition again and again and again, you know? You go in one time, and you go in again for a director and then again for producers and then again and again and again.
The thing about acting is even if you get technically more skilled at what you do, every time you begin a film or a play you're terrified. You don't know if you're going to pull it off. Every film and every story has its own set of challenges. I've never felt like, oh yeah, that's it, nailed it! You can never sit and rest. That's why it's such an exciting job. It's beginning again every time you begin again. New story, new character, new place, new time, new director. It's like moving to a different planet and trying to figure out how to live there.
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