A Quote by James Bobin

I love the idea of exploring the Victorian imagination and what Victorians thought the world of fantasy would look like. — © James Bobin
I love the idea of exploring the Victorian imagination and what Victorians thought the world of fantasy would look like.
Fantasy is a product of thought, Imagination of sensibility. If the thinking, discursive mind turns to speculation, the result isFantasy; if, however, the sensitive, intuitive mind turns to speculation, the result is Imagination. Fantasy may be visionary, but it is cold and logical. Imagination is sensuous and instinctive. Both have form, but the form of Fantasy is analogous to Exposition, that of Imagination to Narrative.
I actually think that the Russians are exploring the idea: Is it worth ending this conflict in the Donbass in eastern Ukraine, creating peace, getting out, and what would that look like? I don't think they're committed to it yet; I don't think they've made a decision one way or the other - but I think they're exploring it.
In fantasy, the expression of exploring another world, you get the universal truth of that excitement and fear, but there's an element of fantasy that you have to not forget so you can take people on that journey.
So today if you see a person who looks like your teenage fantasy walking down the street, it's probably not your fantasy, but someone who had the same fantasy as you and decided instead of getting it or being it, to look like it, and so he went to the store and bought the look that you both like. So forget it. Just think about all the James Deans and what it means.
Ultimately, all I wanted was for players to feel like they were in the real world. I wanted them to be able to apply real world common sense to the problems confronting them, and I thought recreating real world locations would encourage that kind of thinking. There's also just a real power, a real thrill, when you fire up a game and see a place you've been or want to go, and then get to do all the stuff you WANT to do there but know you'll get arrested if you try! If that isn't the stuff of fantasy - far more than exploring some goofy dwarven mine or alien spaceship - I don't know what is!
I've always loved massive worlds, whether in fantasy or science fiction. I like the idea of making my own rules as well as utilizing everything that I love or inspires me. It's very freeing to know you can write a story that can be as big as your own imagination.
In Victorian fiction, there would be a chapter at the end devoted to righting all of the wrongs. I thought to right all of the wrongs would be too glib. I thought it would be better to lull the reader into thinking that is the way it would work, but then not to do that.
Grandchildren have taught me how important the future is. I try to look through their eyes and envision what's in their imagination. What's the world going to look like when they're my age? That really does take a huge imagination.
In 'Girlfriends,' I was exploring the idea of having it all. In 'Being Mary Jane,' I was exploring the idea that you have to be the center of everything.
My fantasy is that I could wake up looking amazing, that I could be strong and stop the bully, but that everybody would love me, too. I think that's intrinsic to fantasy - fantasy is fantasy.
The man Dickens, whom the world at large thought it knew, stood for all the Victorian virtues - probity, kindness, hard work, sympathy for the down-trodden, the sanctity of domestic life - even as his novels exposed the violence, hypocrisy, greed, and cruelty of the Victorian age.
A great deal has been written about the forthrightness of the moderns shocking the Victorians, but there is no shock like the one which the forthrightness of the Victorians can give a modern.
I love the idea of creative collaboration. I love the idea of exploring marriages, particularly ones that are in process for a long time.
I know I play into that image out there, but I try to say it is a fantasy. I look at my own pictures and wish I could look like that. There are probably five people in this whole entire world who actually look like that.
Henry Corbin creates the world - most of all his examination of the imagination and what the imagination was for him. Some philosophers would think of the imagination as a synthetic ability, how you put different things together. Artists more think of the imagination as creativity. So I really like the way that he presents the imagination as a faculty that allows one to experience worlds that are not exactly physical but are real nonetheless.
I like being around people who are good conversationalists. When there's a give and take, and you are heightening an idea, exploring it together, that is my favorite thing in the world. I love a small dinner party - let's say six people, max, where everybody's having the same conversation. That's my favorite thing in the world.
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