A Quote by James Bobin
I've always thought that Lewis Carroll himself had a certain comedy tinge to him. He was a guy who was a satirist. He really was a social commentator in many ways and was trying to satirize Victorian society.
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I always call him Lewis Carroll Carroll, because he was the first Humbert Humbert.
Comedy to the Senate? Well, there certainly hasn't been a satirist or a political satirist who's done that. So, that really was uncharted territory during the campaign. But I think it's a good thing. Some people thought that it was an odd career arc, but to me it made absolute sense.
Joe Carroll had a certain black comedy to him. But I think it's lovely playing a man who, in his heart and soul, is a gentle man. And he's wounded and complicated.
I think the satirist is always basically optimistic. The satirist's complaint about society is always that it doesn't measure up to a fairly high ideal he has. I think that even the bitterest satirist, even a man like Swift, was probably rather an optimist at heart.
I was thinking about comedy and how comedy in many ways opens us up to ideas and really being influenced by Richard Pryor and sort of the way he would use comedy to really speak about larger social issues.
Are you Lewis Carroll?" Redd asked him.
Growing up, I was certainly drawn to comedy, but my goal was just to be as well-rounded an actor as possible. I really liked Daniel Day-Lewis, and I thought, 'Oh, he's a good guy to try and emulate.'
Many have referred to [Lewis] Carroll's rhymes as nonsense, but in my childhood world — Los Angeles in the '50s — they made perfect sense.
Trump has a mind that in many ways is always under duress, because he's always seeking to be accepted, loved. He sees himself as constantly victimized by others and by the society, from which he sees himself as fighting back. So there's always an intensity to his destructive behavior that could contribute to his false beliefs.
Ray Lewis is the type of guy, if he were in a fight with a bear I wouldn't help him, I'd pour honey on him because he likes to fight. That's the type of guy Ray Lewis is.
I mean, Robert Pattinson. No, I’m kidding, I shouldn’t say that. He’s actually really nice. My neighbour works with him and said he was a great guy. I don’t know to be honest, I don’t really model myself after anybody. You’re always just trying to create opportunities and be ready when those opportunities present themselves. I can’t look at anybody and think ‘I want to be Damian Lewis’ – I’d be setting myself up for failure.
I never really thought of myself as a captain. I always thought of myself as a guy trying to win games, a guy who could look back and have no regrets.
This is one of the ways fiction is more liberating than nonfiction - I don't have to be so concerned with fact. I had the paradigm of certain people in my head who became my characters, but I never considered these people to be from a "certain sector of society," unless we agree that we're all from certain sectors of society.
Although Lewis Carroll thought of The Hunting of the Snark as a nonsense ballad for children, it is hard to imagine - in fact one shudders to imagine - a child of today reading and enjoying it.
In many respects, we really are trying to not run the Social Office like a business, but we do have a strategy. We do have a mission. We are trying to standardize certain things so that our time is not spent on, you know, picking flowers or linens, that we've got standards.
MY ACT IS 'NOTHING BUT COMEDY. I TALK SOUTHERN BECAUSE I PICKED IT UP WHEN I MOVED TO THE SOUTH. IM NOT TRYING TO MAKE ANY SOCIAL POLITICAL POINT, NOR AM I TRYING TO MAKE FUN OF REDNECKS. I GREW UP A COUNTRY KID AND WILL ALWAYS BE ONE. I GREW UP WITH PEOPLE THAT SAID CERTAIN THINGS FUNNY AND I PREFORM USING THE SAME LANGUAGE BECAUSE I FIND IT HYSTERICLE. THATS IT. ITS A COMEDY SHOW THAT IS FUNNY AND THATS IT.
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