A Quote by James Broughton

Poetry for me is as much a spiritual practice as sexual ecstasy is. — © James Broughton
Poetry for me is as much a spiritual practice as sexual ecstasy is.
Seemed to me important in writing about people to be able to describe the sexual transactions between them. It's - for many people it's the height of, what they see, of ecstasy and poetry is in their sexual encounters. And furthermore, personality - human personality does not end in the bedroom, but persists.
Show me a sexual practice that involves ice cubes and hot sauce, and I will show you a sexual practice that would be improved without them.
There is such a thing as everyday, ordinary, vulgar ecstasy; the ecstasy of anger, the ecstasy of speed at the wheel, the ecstasy of ear-splitting noise, ecstasy in the soccer stadium.
Tantra is for the advanced spiritual practitioner who is ready to push aside spiritual practice in the name of spiritual practice.
If a person measures his spiritual fulfillment in terms of cosmic visions, surpassing peace of mind, or ecstasy, then he is not likely to know much spiritual fulfillment. If, however, he measures it in terms of enjoying a sunrise, being warmed by a child's smile, or being able to help someone have a better day, then he is likely to know much spiritual fulfillment.
My ethics, my sense of morality, my work ethic, my sense of compassion for suffering humanity, all of that comes directly out of the practice of poetry, as does my Buddhist practice. Poetry is a very important element in the history of Buddhism in general and in Zen in particular. It was really Zen that motivated me to change the way I perceive the world.
People tend to link "sex and drugs" because both are condemned by society. Nevertheless, throughout the ages human beings have continually searched for more ecstasy, more sexual satisfaction, for solutions to their sexual problems, and for aphrodisiacs.
. . . in the spiritual life you must practice. And the only way to practice is by trying to solve your problems with prayer. This develops your spiritual power and it also trains you to use that spiritual power in the most effective way.
If you think of spiritual practice as unpleasant work - it is not spiritual practice as I know it.
The poetry that sustains me is when I feel that, for a minute, the clouds have parted and I've seen ecstasy or something.
The poetry that sustains me is when I feel that, for a minute, the clouds have parted and I've seen ecstasy or something
We do have to learn poetry at school. Poetry is interesting to me, particularly Chinese poetry. It's like an ancient form of song. There's five sentences, seven sentences - they're very different from English poetry. Chinese poetry is much more rigorous. You can only use this many words, and they will form some kind of rhythm so people can actually sing it. To me, poetry is quite abstract but also quite beautiful.
Teaching a practice can also be a hindrance if it becomes one's identity. To be a spiritual teacher is a temporary function. I'm a spiritual teacher when somebody comes to me and some teaching happens, but the moment they leave I'm no longer a spiritual teacher. If I carry the identity of spiritual teacher, it will cause suffering.
You can't make poetry out of thought; poetry is passion. Linear thought must be seduced by wild mind, by the fires of ecstasy.
The sexual act - thinking about the sexual act, the telling about the sexual act, after the sexual act, is so much more important than the actual sexual act - just in time. It's like of the whole sexual act, you probably spend 95% of the time thinking about it, talking about it afterwards. The actually sexual act, especially when you're 17, is minutes.
A lot of times people do spiritual practice just for themselves. I try to turn that a little bit. I try to make spiritual practice more a part of the community. I write about infusing people with compassion.
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