A Quote by James Burrows

I know what's funny, and I probably know the best way to deliver the joke. Whether it's walking out of a room, facing that way, facing this way. I just have a sense of that. — © James Burrows
I know what's funny, and I probably know the best way to deliver the joke. Whether it's walking out of a room, facing that way, facing this way. I just have a sense of that.
I didn't know if I could be funny on stage or write a joke. But I saw that there are no rules. If you're funny offstage, you can figure out a way to be funny onstage.
For me, poetry is a situation - a state of being, a way of facing life and facing history.
Who is righteous? Anyone who is repenting. No matter how bad he has been, if he is repenting he is a righteous man. There is hope for him. And no matter how good he has been all his life, if he is not repenting, he is a wicked man. The difference is which way you are facing. The man on the top of the stairs facing down if much worse off than the man on the bottom step who is facing up. The direction we are facing, that is repentance; and that is what determines whether we are good or bad.
Facing it, always facing it, that's the way to get through. Face it.
How can I go forward when I don't know which way I'm facing?
I think actually performing on stage when everyone's facing you and you're one person facing them, that is quite a lonely thing in a strange way. You have to be quite insular from everybody else, you've got thousands of people staring at you and you're just on your own.
I'm no reporter. That's for the man with a suit and tie. I'm just relating to my people the best way I know, bringing them what they know and what they see out on the streets. I'm bringing it to them in a musical way, through a way of partying rather than violence. Now they can party their way through their problems.
Why do we dread adversity when we know that facing it is the only way to become stronger, smarter, better?
When I'm playing comedy, I never do 'jokes.' Sometimes I'll deliver a line in a way I think is more likely to get a laugh, but all the best comedy is played straight. What's funny is the way it hits the world around it or the way it hits the other characters.
You know all my life I've hated funerals. The fuss and bother never brings anybody back. It just spoils remembering them as they really are. And when I see people actually facing it that way, I have to act like a sap.
We talk about the American way, the British way. If we had any sense, we would know that there is no American way, no British way. There is only one way - the scientific way that cuts across racial lines with international boundaries.
Only the out of touch media elites think the biggest problems facing America - you know this, this is what they talk about, facing American society today is that there are 11 million illegal immigrants who don't have legal status. And, they also think the biggest thing, and you know this, it's not nuclear, and it's not ISIS, it's not Russia, it's not China, it's global warming.
So he [Sigmund Freud] called this "the uncanny" and he also referred to cities as well, like the idea of walking through the city and the way the urban landscape could lead you to a sense of disorientation and to a kind of, you know, sense of repetition. And the way a city can unfold as you walk.
You know, women are acting the way they want to act now. Years ago they would hide it in the way they dressed, the way they speak, even the way they act in bed. Today, they're doing the same thing, but they're dressing the way they want to be treated and, when you're with them, acting the way they want to act. And you know, honesty is the best policy. I love that.
I don't know that I make a big distinction between the big pieces and the little pieces, because I don't experience them in that way. I mean, by the same token, you're out touring with a band and then you're writing string quartets, and in a funny way, isn't it all the same, in a way? It's all just music.
One of the first exercises we did in acting class my freshman year was to stand in two rows, two lines facing each other as a class, and just make sounds and move in some completely nonsensical way out into the center of the room. Sort of make an idiot out of yourself, essentially, but to be okay with that.
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