A Quote by James Gray

I suppose I'm always trying to break down the wall between my characters and myself. I'm trying to make the film as expressive and personal as I can, even if I can't explain, for example, how important it is for me to be Jewish.
I am human. I am messy. I'm not trying to be an example. I am not trying to be perfect. I am not trying to say I have all the answers. I am not trying to say I'm right. I am just trying - trying to support what I believe in, trying to do some good in this world, trying to make some noise with my writing while also being myself.
Mysteries always have the potential for interesting connections between the elements. I'm also most interested in the relationship between the characters. As in 'Masterpiece,' I'm trying to create characters who not only are solving a mystery but are solving the riddle of their own personal relationships.
Except even at the start, when we were in that can't-get-enough-of-you-phase, there was like some invisible wall between us. At first I tried to take it down, but it took so much effort to even make cracks. And then I got tired of trying. Then I justified it. This was just how adult relationships were, how love felt once you had a few battle scars.
Monica Langley has a great piece in The Wall Street Journal about how they're trying to create different kinds of moments for Donald Trump, as opposed to just him shouting at rallies. They're trying to get him in classrooms, and in churches, and in diners and places where he can make a more personal connection.
People make a mistake saying I'm trying to break down barriers and change the game. I'm not trying to do any of that.
My movies are painfully personal, but I'm never trying to let you know how personal they are. It's my job to make it be personal, and also to disguise that so only I or the people who know me know how personal it is. 'Kill Bill' is a very personal movie.
I consider myself a Jewish writer - even if my characters frequently are not Jewish - in the same way, I guess, that I consider myself a Jewish man, even though I don't often attend shul.
The fact is that you could not be, and still cannot be, a 25-year-old homosexual trying to make it in the British film business or the American film business or even the Italian film business. It just doesn't work and you're going to hit a brick wall at some point.
Sometimes, I have themes that interest me or that touch on larger issues but, really, I'm just trying to figure out the plot, or how the characters work. I'm trying to make the best story I possibly can.
I'm always trying to be a good example to people and always trying to do something cool. I really don't want to end up like that cliche celebrity teenager kid who is a bad example.
The multiverse as a real physical construct within physics overlapping with a more mystical understanding of many possible worlds - the notion of there being a root down at the quantum level between intention and reality, between consciousness and existence - it's not a matter of trying to explain the mystery of magic away with a pat mechanism of a pseudoscience, it's just a matter of trying to ground it in a domain.
I cannot bear to look at a film that I made before 1990. Maybe 1985. There's no sense even trying to explain it. I really just can't watch myself. I see all the machinery at work and it just drives me nuts, so I don't look at anything.
I've given up on trying to explain myself, or trying to set the record straight, or trying to get people to understand what I'm really like as a man, outside of my acting, outside of my job.
I'm always practicing lines, researching, trying to be fresh, and fully trying to become the characters I play. That's how I roll.
Im always practicing lines, researching, trying to be fresh, and fully trying to become the characters I play. Thats how I roll.
I find myself trying to explain more, and explain the perspective of my mentality, or the mentality I'm trying to convey.
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