A Quote by James Gunn
Every movie I've ever made has just kind of come together.
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I just find the people I want to work with and put it all together, and it's a lot of hard work, and all kinds of catastrophes happen, but I don't really get too much resistance. But when you make a movie, it seems like there's nothing but resistance. It's kind of a miracle that any movie ever gets made.
I've been in movies where the movie doesn't come together but the role comes together, or the movie comes together but the role doesn't come together or something like that. Something misses. It's very difficult to make it hit on all cylinders - it's just very rare.
When you make a movie, it seems like there's nothing but resistance. It's kind of a miracle that any movie ever gets made.
I kind of joke with myself that you shouldn't be able to be a creative producer if you weren't a first AD. Because it is such fantastic training for really understanding what everyone does, and how the movie actually gets made. You have to know if you're the first you're kind of the set general, you're at the director's right hand, you know everything about how a director puts a movie together, you know everything about how a movie gets made.
Look at the movies of the sixties and seventies. They were making a different kind of movie then. Would 'Network' ever be made now? No. Would 'Kramer vs. Kramer' ever be made now? No. Would 'Tootsie' ever be made now? Probably not. Robert Altman films? Never.
There's an amazing movie, I think the best war movie ever made: it's called 'Come and See.' Soviet film. Made in the Soviet Union. It was about Belarusian and Ukrainian partisans in World War II.
Basically, we [me and Evan Goldberg] started thinking about making a movie that was kind of a weed movie and action movie and had a real kind of friendship story to it, then that would be our favorite movie [Pineapple Express] ever.
It's such a huge endeavor putting a full movie together, especially an independent movie. I tend to kind of do them when they come my way more than something than I go out and actively pursue.
I can't stress it enough that we genuinely love 'The Room.' Like I said, I've seen it more than any other movie that's ever been made, and it gets to a point where if a movie is that watchable, when can we just call it a good movie?
I've kept the people who've been in my career who I feel are my family. Kathy [Kennedy] had been with me since 1978. Janusz Kaminsky, my cinematographer, has made every movie with me since Schindler's List. Michael Kahn has cut every movie I've directed since 1976 when we made Close Encounters together. Rick Carter has done more than 15 of my directed films as a production designer.
I steal from every single movie ever made. I love it - if my work has anything it's that I'm taking this from this and that from that and mixing them together. If people don't like that, then tough titty, don't go and see it, all right? I steal from everything. Great artists steal; they don't do homages.
I'm pretty much a movie-to-movie guy. It's hard for me to multitask so I feel very one-thing-at-a-time oriented and I usually just wait until a movie's done and it's premiered, then just kind of reflect on what I'm interested in my own life and let the movies come to me rather than force them.
Every time you try to make another movie, you never know what will come of it. I can't say it ever gets easier, but it is in it's own way gratifying. I think that because no one movie that you make ever quite satisfies you, you're always feeling, "Next time I can get it right."
I steal from every movie ever made.
Some of the best art in the world is collaborative, a mix of voices that are stronger together than separate. Take the Beatles, for example. Or every great movie ever made. We like to say they're the director's vision, but really, they're huge collaborations between directors, writers, actors, even producers.
I try to follow my instinct as a moviegoer and I do the thing I would love to see it at a movie. I'm like everyone, almost, I go to a movie once a week. I like every kind of film if it’s well made. I’m fine. I’m not a specialist fighting for a genre of film. You just have to follow your instinct.
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