A Quote by James Gunn
'Monty Python And The Holy Grail' is a hugely important movie to me. I remember watching it for the first time on cable when I was about 13 years old.
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I always look at 'Monty Python and the Holy Grail.' They talked about how they wrote this movie with horses, and then they realized that horses are super-expensive and time-consuming. 'Why don't we just change it to coconuts?' That's part of my process.
At the end of Season Four of 'Mr. Show,' instead of doing another season, everyone just thought they wanted to go and do a movie. Kind of like Monty Python. Monty Python went right into 'And Now For Something Completely Different,' and everyone kind of compared 'Mr. Show' to Monty Python.
I love the humor of 'Monty Python.' I always remember being so impressed by how violent 'Monty Python' are, actually, when you look at what they do. Terry Gilliam has a great way of kind of proposing violence.
I like musicals that are sometimes comedic, but I haven't even seen the Monty Python musical, and I'm a huge Monty Python fan.
Missing out on 'Monty Python' was a real blow at the time. I sometimes wonder how things would have been different if I had been invited to join 'Monty Python,' but as the saying goes, one door closes, another opens.
I remember reading Dave Barry for the first time and being like oh my God I can't believe you can do this. Watching Mel Brooks and Monty Python and SNL and all that stuff really informed me as a writer and then at high school I started a satire magazine and the college like The Lampoon really introduced me to like you know a lot of very like-minded people who really wanted to like comedy was the center of their lives.
I had a 'Monty Python' CD, and I would listen to it in the car on the way to school. It also refined my British accent. I can do a killer British accent because I'm just imitating 'Monty Python.'
I have a sister, in particular, who's 13 years older than me. So growing up and watching her - watching her go to work, especially - was hugely influential to me. As the youngest, with a sibling that's a decade older, I had certain things that I would go to her about instead of my mother.
I was very, very young when I first started acting. My first movie role I was in, I was eight years old at the time. My mom got me involved in community theater stuff when I was like five or six years old. How I learned to read was by reading the captions on TV, and I grew up from a really young age watching tons of movies and television.
I have a weird sense of humour. My dad's the same. We love watching 'Monty Python' together.
This is an old film from donkeys' years ago, but the first film I ever... the first time I ever cried watching a movie was when I was watching 'The Champ.'
Probably the biggest influence on me, strange though it may sound, was the 70s, a decade of invention. Growing up then had a huge impact on me. People wanted to experiment and were hungry for change. I was influenced by the literature and art of the time; listening to John Peel and Annie Nightingale and watching 'Monty Python.'
I just don't know when we all decided that if it doesn't fit in a Happy Meal box, it's not for kids. I remember flying monkeys in the Wizard of Oz, and I grew up watching Monty Python. I think that kids can handle a lot more than we give them credit for, especially when it comes to the absurd.
I remember there was one summer - I think I was 13 years old - that was literally defined by watching 'Beavis and Butt-head' with my friends.
I remember where I was when I heard Yngwie Malmsteen for the first time. It was such an epiphany for me, and it really shaped the way I play today. I think I heard him in '83, if I'm not mistaken - I was 13 years old - and it really was amazing for me.
Many businessmen fail to understand Python principles--the ultimate absurdity was an offer from America to buy the 'format' of the Python shows, that is, Monty Python without the Pythons--corporate methods do not have the conceptual framework to deal with an anarchist collective, run by intelligent and arrogant comedians who have proved that their method works.
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