A Quote by James Ivory

It was okay but then I found myself in that position of being merely a screenwriter. And you are merely the screenwriter, and there's no way around it. You don't have the same clout as the director.
When you're a screenwriter working on a film, you're not really even welcome on set, even if you know... When I wrote 'Elizabeth' and Shekhar Kapur was a friend of mine, but I wasn't really welcome on set, because the director is God and it's a very difficult position for a screenwriter who's put so much passion into that, into the writing.
As a screenwriter you're the towel boy in the whorehouse. I mean you know you're lucky if you're invited to set. It's kind of like here is the blueprint, go and that's you know there has been some debate as to whether or not a film should be by the director or by the screenwriter or by both.
Even though I am in this weird position of being a semi-recognizable screenwriter, which isn't that common, at the same time, I'm not an actress. I'm pretty isolated.
What I want is to be the highest grossing screenwriter, or to have some other woman be the highest grossing screenwriter, instead of being number nine on the list. That's my goal.
I was a painter, then a novelist, then a journalist, then a screenwriter, and now I'm a director, and it feels all part of the same continuum. One led to the other, and it just feels like the natural confluence of all the ways of storytelling that I've been doing for almost 30 years.
It's really hard as a screenwriter, you feel like you have a vision and then you turn it over to a director and you have to let it go.
When you're a screenwriter, it's like being a mechanic. You open the hood of the story, the director is the driver, and he says, "What do you think? It's a little tough."
I'm an affluent screenwriter and all that - I'm a known screenwriter, but I'm not in the fraternity of the very, very major people. I would say a guy like Ernie Lehman, William Goldman, and a few others are quite a cut above.
You are the executive director and screenwriter of your life.
I've certainly seen stats that if you have a woman director or a woman screenwriter, the number of female characters goes way up.
As a screenwriter, you always have frustrations. It's just the nature of the job, and you have to live with it. Your vision is not going to be the same as the director's vision. It doesn't mean one is better or worse; it means they're different.
A screenwriter is much like being a fire hydrant with a bunch of dogs lined up around it.
I like to write, and I would love to be a screenwriter one day and a director.
I see myself maybe being, like, a movie producer or screenwriter or a novelist or a scientist or mathematician.
Pictures are written, acted, directed, photo­graphed, edited, scored and all that. The screenwriter determines what scenes are in and what scenes are out; decides whether that bit of information is dramatized or just referred to; whether it takes place on or off screen. There are millions of decisions made by the screenwriter.
As a journalist, as a screenwriter and as a director, I'm trying to tell compelling and truthful stories.
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