A Quote by James Ivory
Maurice' was a groundbreaking film. People didn't feel that then but looking back everyone says that.
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'Satya' was a groundbreaking film that opened people's eyes. People like Ram Gopal Varma and Shekhar Kapur introduced such films in the industry as never seen before, and it wasn't easy if you went to a producer with an arthouse film back in the '90s. They'd laugh you out of the room.
My standards are based on shows I like, like 'Girls' or 'Arrested Development.' And they're all shows that are groundbreaking. I guess in the back of my head, I think, If you're not being groundbreaking, then what are you doing? If you're not being ballsy and honest and vulgar, then what are you doing?
It is charming the way everyone in the South says, 'Come back.' This is the regulation farewell at gas stations, soda fountains, general stores, tourist camps. 'Come back,' they call, 'come back.' Do they feel marooned in one place, lost, needing to believe someone will return to share their exile on the similar main streets, in the varied but always new-looking land?
It makes us feel better that everyone out there is thinking of Maurice.
The fact that Maurice Sendak said, "This is something that I made at your age, this was something that was personal to me, and now you need to take it and make something that's personal to you." I don't know, but we made the Where The Wild Things Are movie that we set out to make, and Maurice loves it. If Maurice was anxious about it, then I would be petrified.
Ursula Nordstrom was famous for finding artists in unlikely places. Maurice Sendak was a window designer, and she just came across one of his windows. Everyone was looking to find a talent.
The only way you survive on all these services is if you're groundbreaking. There's pressure to be groundbreaking, which is the greatest thing that's ever happened. It's a bizarre aspect of what's happened with all of these subscription services is everyone is trying to outdo each other by doing great things.
I started putting together long-form projects, say, 22 minutes for a sitcom and 42 minutes or something like that for an hour-long show. I didn't feel like it was groundbreaking, nor would anyone think it was groundbreaking now, but at the time, people reacted like it was.
But in some ways I think it's braver to do it like this. And, to an extent, you know what? The worst that can happen is that everyone says, 'Well, that was dreadful, she should have stuck to writing for kids' and I can take that. So, yeah, I'll put it out there, and if everyone says, 'Well, that's shockingly bad – back to wizards with you', then obviously I won't be throwing a party. But I will live. I will live.
I think a lot of the people who feel out of step with contemporary society or feel that they've been left back economically or feel disaffected and are drawn to the Republican Party, they are looking for a news source that will tell them something they would like to hear and then is reassuring, emotionally rewarding, and confirming.
When you're making a film, you don't really have time to consider what the whole of your film is. And then, when you're releasing your film and promoting your film, you're looking at it in a different way. Then, as you move away from it, you start to look at it objectively and think, 'What could I have done better?'
He educated Maurice, or rather his spirit educated Maurice's spirit, for they themselves became equal. Neither thought "Am I led; am I leading?" Love had caught him out of triviality and Maurice out of bewilderment in order that two imperfect souls might touch perfection.
My first Telugu film 'Krishna' became a super duper hit and since then there was no looking back.
I think - something I learned recently looking up the meaning of ideology. If you look in American encyclopedias, it says, you know, 'Rules for - basic rules for a system of economics or politics.' If you look in the Oxford, it says that, and then it says... 'Despite - and people will hold these propositions despite events.'
Everyone says buying your first apartment makes you feel like an adult. What no one mentions is that selling it turns you right back into a child.
You forget how crazy people are in New York, all the people on the sidewalk. When you leave here, everyone's in their car. But I get back here - I just went to throw something in the garbage, and there was a guy in the garbage. And he wasn't looking in it; he is in it, looking out over 9th Ave like a fisherman.
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