A Quote by James Ivory

When I went to Europe for the first time, I went to Paris and then to Venice. So after Paris, Venice was my first great European city, and it just blew me away. — © James Ivory
When I went to Europe for the first time, I went to Paris and then to Venice. So after Paris, Venice was my first great European city, and it just blew me away.
On my first European solo tour, I was selling maybe 50 tickets a city until I showed up in Paris and heard the show was already at 150 tickets, which, at the time, really blew my mind and took me by complete surprise.
Venice has always fascinated me. Every country in Europe then was run by kings and the Vatican except Venice, which was basically run by councils. I've always wondered why.
It is not surprising that Venice is known above all for mirrors and glass since Venice is the most narcissistic city in the world, the city that celebrates self-mirroring.
I think the work is the same in Indie films or blockbuster. It's just a difference when you do all the publicity. It's like another job. I remember the first time I did The Dreamers. I went to Venice; quite a good amount of publicity, a lot of round-tables and TV. I was just not expecting that. I thought I was going to visit Venice, but actually no.
Paris is not a city I should care to approach for the first time after I had passed forty.
I have looked for the center of the art scene. I went to Paris as a student. I lived in Venice, California.
It's always been a luxury to be able to hop a plane to Paris, to Venice, to the Grand Canyon.
If you read a lot, nothing is as great as you've imagined. Venice is - Venice is better.
Venice is like doing acid. If you can't take it with you after you either come down or move away, you were never really there in the first place.
I came to Venice for the first time in 1968 and was lucky enough to make the acquaintanceship, and then the friendship, of two Venetians, Roberta and Franco, who remain my best friends here after almost 50 years.
Americans continue to visit Paris not just for Paris, but for ‘Paris.’ As if out of some collective nostalgia for what Paris should be, more than what it is. For someone else’s memories.
Oh, London is a man's town, there's power in the air; And Paris is a woman's town, with flowers in her hair; And it's sweet to dream in Venice, and it's great to study Rome; But when it comes to living, there is no place like home.
It is always assumed that Venice is the ideal place for a honeymoon. This is a grave error. To live in Venice or even to visit it means that you fall in love with the city itself. There is nothing left over in your heart for anyone else.
Paris is not so square. I'm not good at the geography of the city in Paris, so I'm always lost. Here, in New York, you can never be lost. In Paris, even when I walk to my gallery or whatever, I always take another route, because Paris is not built that way.
By day, Venice is a city of museums and churches, packed with great art. Linger over lunch, trying to crack a crustacean with weird legs and antennae. At night, when the hordes of day-trippers have gone, another Venice appears. Dance across a floodlit square. Glide in a gondola through quiet canals while music echoes across the water. Pretend it's Carnevale time, don a mask - or just a fresh shirt - and become someone else for a night.
... in the eyes of its visitors, Venice has no reality of its own. Anyone visiting the place has already seen so many pictures of it that they can only attempt to view it via these clichés, and they take home photographs of Venice that are similar to the ones they already knew. Venice [is] becoming like one of those painted backdrops that photographers use in their studio.
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