A Quote by James Ivory

In October 1959, I could scarcely wait to get off the plane that had brought me to New Delhi so that I could go to the Indian Arts Palace in Connaught Place and begin buying miniature paintings.
I thought Connaught Place was the best place to shop in Delhi, but Khan Market is also very good.
I’m going to kill myself. I should go to Paris and jump off the Eiffel Tower. I’ll be dead. you know, in fact, if I get the Concorde, I could be dead three hours earlier, which would be perfect. Or wait a minute. It -- with the time change, I could be alive for six hours in New York but dead three hours in Paris. I could get things done, and I could also be dead.
I had just come off my third consecutive failed television series. I had sworn off doing TV for a while. I was going to go to New York, sublet an apartment, and find my soul again. Before I got on the plane, my agent sent me the script for 'Psych.' I read it on the plane and realised it had a lot of potential.
Diana and I had a very good relationship with no personal problems. The only problem we did have was with the media, and the only place we could have any real privacy was at Kensington Palace, as they could not get to us there.
I quit my job in New India Insurance and was confronted by various options. I could either go to Pune to do a course in acting from Poona University or shift base to Bombay or Delhi and study at NSD. I opted for the latter because it is the best place to get a formal education in acting.
Stalking the Angel [Joe]"I could off anybody in this place five times over." [Elvis]"Could you off someone and get away with you here?" [Joe]Head shake. "I'm too good even for me.
You know, there are a lot of things that I really enjoy doing that you can get hurt doing. Driving a car, you can get into a wreck. I love to fly. You get on an airplane and you could die, too. When you step on a plane, it's your option to step on that plane because it could crash.
Seeing off the new ball is important for me. I know that once I do that, the only way I could get out could be from my own mistake.
A person could leave you so quickly. So much history and time and memories, but they snuck away from you, and other things took their place. How could you hold on? Wait. A bigger question. The biggest. How could you hold on and let go?
If you wait until you're an adult to be exposed to the arts, it could seem elitist, it could seem out of reach, it could seem scary.
One of the things that probably drew me to writing was that it was something you could get on with by yourself. Publishing means going public. But the actual activity could scarcely be more invisible. And private.
The earth's biosphere could be thought of as a sort of palace. The continents are rooms in the palace; islands are smaller rooms. Each room has its own decor and unique inhabitants; many of the rooms have been sealed off for millions of years. The doors in the palace have been flung open, and the walls are coming down.
You could run to the farthest corners of the earth. There's no place you could go where I wouldn't love you. Nothing you could do to stop me.
If we could begin to look at water pollution as a human rights violation, and we could begin to look at criminal aspects of this, I think that could be a game changer for many companies who want to not be forthwith and think that they can just hold off in a lawsuit for 10 years, and in the meantime, people are still being poisoned.
Since I was part of the St. Francis College basketball team, I used to get the opportunity to go to various parts of the city for tournaments. It's during one such outing that I figured this is the Chowmahalla Palace! I still remember buying a ticket and getting into the palace with my team, all of us in our sports uniform.
I grew fond of acting rather late. And that was because I was not getting any job. I had a few friends in Delhi who were associated with theater. They took me to see some plays in Delhi and Baroda. That led me to believe the I could also act. And it was after that I joined National School of Drama in 1993.
This site uses cookies to ensure you get the best experience. More info...
Got it!