A Quote by James Lapine

Most musicals are real crowd pleasers. — © James Lapine
Most musicals are real crowd pleasers.
Whether you're on a diet, or you're looking for a go-to one bowl dinner recipe, salads should be thought of as crowd-pleasers, not a dreaded component of a meal.
The main problem in any democracy is that crowd-pleasers are generally brainless swine who can go out on a stage & whup their supporters into an orgiastic frenzy - then go back to the office & sell every one of the poor bastards down the tube for a nickel apiece. Probably the rarest form of life in American politics is the man who can turn on a crowd & still keep his head straight - assuming it was straight in the first place.
There are no large-scale original musicals being made right now. They're all Broadway adaptations and jukebox musicals or catalog musicals, and they just don't interest me as much.
The fun little proofs that you can do with algebra - they are sort of like crowd pleasers in a way. Like, the .9 repeating equaling one. It doesn't take a lot of algebra to prove that, and it's really fun. It kind of wows people. It's like they're watching magic happen right before their eyes.
I was fortunate enough to work at the peak of the great golden age of musicals. And then for awhile, I think they were being advanced in different ways. Andrew Lloyd-Webber brought the rock beat to musicals; people tried different things. The joy of musicals is that there is no perfect recipe; it is what you throw into it.
Musicals are — particularly musicals — plays also, but musicals particularly are… the last collaborator is your audience, and so you’ve got to wait ’til the last collaborator comes in before you can complete the collaboration.
A crowd thinks in images, and the image itself calls up a series of other images, having no logical connection with the first...A crowd scarcely distinguishes between the subjective and the objective. It accepts as real the images invoked in its mind, though they most often have only a very distant relation with the observed facts....Crowds being only capable of thinking in images are only to be impressed by images.
Everything has to be intrinsic plot-wise in the same way, to use the Linda Williams analogy but to move it on a bit, as musicals - in old musicals, like in an old Cole Porter musical, you get the action, then they do a song, which reflects a moment - everything stops while that is being sung - and then you restart. These days in most musicals, the plot keeps moving through the song. I think it would be nice if someone constructed some pornography where the sex continues to propel you through the story.
Two different things: A crowd is a tribe without a leader. A crowd is a tribe without communication. Most organizations spend their time marketing to the crowd. Smart organizations assemble the tribe.
I'd been brought up on musicals. Instead of cartoons, we watched videocassettes of musicals at home.
I was in the Square at the time. The crowd was a most good-humoured, easy going, smiling crowd; but presently it was transformed. A regiment of mounted police came cantering up.
When I was growing up, there were so many musicals you could watch. I like the fantasy of musicals and I love music.
I try to call the play as quickly as I possibly can and then shut up and let the crowd roar because, to me, the crowd is the most wonderful thing in the whole world when it's making noise.
I don't think I've got the stuff that Broadway musicals are made of. But there are definitely many musicals that I enjoy. 'Hair' and 'Rent' might be my favorites.
The most fun moments are being on the stage and seeing how the crowd reacts to your music. The energy of the crowd that makes you just want to go in and keep doing it and be a part of this forever.
I grew up in a time when the only musicals were animated musicals because nobody wanted to see people to break into song.
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