A Quote by James Mangold
The boundary between real life and acting is hard to find.
Related Quotes
Eros is an issue of boundaries. He exists because certain boundaries do. In the interval between reach and grasp, between glance and counterglance, between ‘I love you’ and ‘I love you too,’ the absent presence of desire comes alive. But the boundaries of time and glance and I love you are only aftershocks of the main, inevitable boundary that creates Eros: the boundary of flesh and self between you and me. And it is only, suddenly, at the moment when I would dissolve that boundary, I realize I never can.
At the end of 'Afterlife' - hmm, how do I do this without spoilers - Skye took a very strange journey that crossed the boundary between life and death. And now, for her, that boundary is permanently blurred.
I guess I'm kind of interested in that elusive search for a bond between life and work and between compassion and competitiveness. There's always something at the end you have to find to live a full life, but it's hard to find.
Love the battle between chaos and imagination.
Remember: Acting is living truthfully in imaginary circumstances.
Remember: Acting is the way to live the greatest number of lives.
Remember: Acting is the same as real life, lived intentionally.
Never forget: The Fruit is out on the end of the limb. Go there.
Yet soil is miraculous. It is where the dead are brought back to life. Here, in the thin earthy boundary between inanimate rock and the planet's green carpet, lifeless minerals are weathered from stones or decomposed from organic debris. Plants and microscopic animals eat these dead particles and recast them as living matter. In the soil, matter recrosses the boundary between living and dead; and, as we have seen, boundaries-edges-are where the most interesting and important events occur.
I find it very difficult to see the boundary between womenswear and menswear. It's bizarre the ways in which society reacts; they find it difficult to comprehend seeing parts of the body on a man. I think it's fascinating.
When trying to teach someone a boundary, they learn less from the enforcement of the boundary and more from the way the boundary was established.
That all opposites—such as mass and energy, subject and object, life and death—are so much each other that they are perfectly inseparable, still strikes most of us as hard to believe. But this is only because we accept as real the boundary line between the opposites. It is, recall, the boundaries themselves which create the seeming existence of separate opposites. To put it plainly, to say that "ultimate reality is a unity of opposites" is actually to say that in ultimate reality there are no boundaries. Anywhere.
I have a theory of living on the boundary: on the boundary of patriarchy and the boundary of different dimensions.
I've been trying to find a balance between all things in my life - personal, singing, acting.
It's always hard to find the best friends in the locker room because we are all competing against each other - but the real friends you are going to definitely find off the court because we are competitors in between.
Because I came into acting late, my references come from real life. That's my biggest inspiration. It's probably the reason I moved back to New York. I'm just a lot more inspired by real life than I am by depictions of real life.
There was pain, but there was also joy. It was in the tension between the two that life happened. Imperfect as it was, this world was real. Illusion was no substitute. I'd rather live a hard life of fact than a sweet life of lies.
I think there's a real connection between acting and writing novels because the way I write characters has a little bit to do with the method acting that I was taught in high school and college.
I think that women no longer have to set up a boundary between work life and home life. One of the hallmarks of my thinking is that I bring a lot of my personal life into my work. That's a huge advantage I have over men, who may feel they have to separate the two.
I wanted to dissolve the boundary between the outside world and the world of the relationships. Those events, with exception of the Mt. Saint Helens explosion, were happening in the real time of the book, as I was writing.
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