A Quote by James Marsh

I find films incredibly emotional. That's the power of the medium. — © James Marsh
I find films incredibly emotional. That's the power of the medium.
Film is an emotional medium; it's not a logical medium. It's not an intellectual medium, so every decision you make as a filmmaker and an actor has to be emotional in some way, even in the rejection of logic.
Songwriting is an emotional medium, and rock and roll is an emotional medium.
So many of my favorite stories, in any medium, are about friendship. Those relationships are so often just as emotional and complex as any romantic or family dynamics, and yet there's a dearth of resonant, grounded films about platonic bonds in American films.
While films are a very visual and emotional artistic medium, video games take it one step further into the realm of a unique personal experience.
The main reason why I'm a documentary filmmaker is the power of the medium. The most powerful films I've seen have been documentaries. Of course, there are some narrative films that I could never forget, but there are more documentaries that have had that impact on me.
Japanese horror films take the business of being frightening seriously. There is no attempt at postmodernism or humour. They are incredibly melancholy, with a strong emotional core, while remaining absolutely terrifying.
A teenager can find lots of games, but that's not necessarily true for adults over 30. As you get older, you desire more intellectual, emotional experiences. If you look at film, there's many different genres. No matter how old you are, you can find the type of movie you like. That's a sign of a mature medium.
Law in the United States is at once a powerful medium and a medium for power.
What I read and what I go to the movies for is not to find a best friend, not to find inspirations, not necessarily for a hero's journey. It's to be involved with characters that are maybe incredibly different from me, that may be incredibly bad but that feel authentic.
I would like to do something dark or small. I love independent films. I love emotional scenes. I love people who are struggling with something. I think it's just the juxtaposition to my incredibly happy, positive demeanor.
Motion pictures are a director's medium. Broadway is a writer's medium. Television is a producer's medium. I picked a medium I could control.
Generally, it's a great exercise to not get stuck in one medium too long because you begin to lose perspective on the peculiar drawbacks and strengths of the medium. For example, if I'm in the back of the stage and I want you to see my emotional change by a flicker of my eyelid, we're all going to be in for a long boring evening.
Many films you see in theaters are financed through outside sources. With big films, the studio will pay, hoping to reap the reward of their big bet. But with medium and small-sized films, outside production companies and financiers often foot the bill.
Cinema isn't just a good medium for translating graphic novels. It's specifically a good medium for superheroes. On a fundamental, emotional level, superheroes, whether in print or on film, serve the same function for their audience as Golden Age movie stars did for theirs: they create glamour.
Talent is a very potent aphrodisiac. When someone is incredibly gifted, I find them incredibly sexy.
I'm going to continue to make short films. I love making shorts. I don't have a boss. There's no boss telling me what I can and can't do. I find that it's incredibly creative and challenging to just keep doing that.
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