A Quote by James Marsh
The issue often with films is how it works with money and trying to get a visible movie star presence in the film.
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People call me a movie star. If you're in the business, a movie star is someone who can make a film bankable. My name and $6 million will make a $6 million movie. I'm a working actor. Because I started late, I had a very short run as a leading man, and my films didn't make money in America.
A film star is a film star, and you can't take that away. Hence, I don't think about money when I do films, but I will do it for TV like the way I do it for endorsements.
I'm not really a movie star. No matter what I do in acting, whether I'm good, how much work I get, whatever, I never will be a movie star. Because I never think of myself as one. You are a movie star because you think of yourself as a movie star and always have.
All films are learning processes. I am still trying to work out how you make a movie. I didn't study at film school or any of those things. I didn't bother with film theory.
I think the biggest issue for legacy media - both TV and film - is that it just costs too much money to develop a TV series or movie. And most of them don't work. Then the one that works has to pay for the rest.
Stuntmen bring a lot to the film industry, especially in action films, but if you start trying to give an Oscar for a stuntman, say he doubled a star, I think that takes away from the star's value.
There are many critics who invite me on their show, and I have told them that when my film releases, you will give it one-and-a-half star rating. That's fine. There's no issue because stars will matter when I'm planning to open a five star hotel. When I'm making films, I don't need stars.
Different directors have different techniques in the use of films. Cronenberg is very different in the way he works with film, and how he takes the audience into his films is different than how Peter Jackson would do that or Jon Stewart. So, if you go between those artists, you shift gears and you kind of fall into the working method of that film.
I'm always a little starstruck anyway. So to work with a movie star, which is Brad, I was excited about that; to work with a movie legend, which is Tony, I wouldn't have passed that up. Just to get to watch him and watch how he works.
Will Smith is the most successful money-making movie star on planet Earth, in terms of just how many people have gone to see his films, so Will is a guy who gets movies made.
People keep trying to make me a movie star but they just don't understand. I'm not a movie star, I'm an actor.
I think the situation in Toronto is such that there are funding organizations which make it easy for a film to raise more money than it needs and very often that works against a film.
A movie star is someone who has to open a film to gazillions of dollars. I'm just trying to pay my mortgage.
A film is sort of binary - it either works or it doesn't work. It has nothing to do with how good a job you do. If you bring it up to an adequate level where the audience goes with the movie, then it works, that is all.
Often I would get offers to remake films and that didn't interest me. I have no interest in remaking a film in Hindi which has been made in the south already. I prefer adapting from a book than a movie.
In a film like 'Kannathil Muthamittal,' I can't have a Rajnikanth or a Kamal Haasan. If you have a star, the expectation of the film is different. So, you cast according to the subject of the film. Some films are best done with stars because it gives you a base on which if you can get the correct performance, you can reach higher.
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