A Quote by James McAvoy
I did undergo hypnotherapy, and it didn't work! The guy couldn't put me under. I was very disappointed. I was very keen to be suggested, to have somebody tell me to run naked or cluck like a chicken or whatever, but it didn't work for me, I'm afraid.
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I have a very dear friend, a great painter, called me up very upset, the work wasn’t going well… He asked me to come to his studio -- which I did -- I looked around at the work, dozens of sketches, drawings, large pictures, and I was very close to his work, intensely involved with his work, and he asked me, ‘What’s wrong?’ And I said, ‘Simple – it’s a loss of nerve.
It is a great honor for me to be compared to Henri Cartier-BressonBut I believe there is a very big difference in the way we put ourselves inside the stories we photograph. He always strove for the decisive moment as being the most important. I always work for a group of pictures, to tell a story. If you ask which picture in a story I like most, it is impossible for me to tell you this. I don't work for an individual picture. If I must select one individual picture for a client, it is very difficult for me.
There are very few people who work for me who are afraid to tell me what I don't want to hear.
We only work? the most I ever work is three days a week. Very rare that I will work four. If I?'m involved in a scenario where they need me to be in it, I don'?t mind. They always work around my children?s schedule, their sports, and stuff like that. That?s been very important to me.
If the script grabs me and appeals to me, I'm really very keen to work on it.
I am very excited to work with people who have a strong vision of what they want. They're trying to tell a story, and they want to use me. I'm there to facilitate that. I really like that. I'm like, "Tell me where your frame is. Tell me what you want, what kind of story you want, and I will facilitate it." That's sort of my job, and it makes my work better when I'm working in that kind of a frame, and hopefully it's their work. It's incredibly collaborative, in the sense that you're working toward a common goal.
Akon is a very talented songwriter to work with. His melodies, they're just insane. It's funny, I think about him a lot when I'm doing my melodies because he's so simple, and he's just been great. He keeps me on my feet, very grounded, but he also puts me on a silver platter, which is always very nice. So it's been an incredible influence. It's like every time you work with somebody that's better that you are, you become greater.
What can you do if a part of it is uphill? You can't work out another route. You've just got to run the one they give you. But they tell me London is a nice course. Even the cobbles, I hope, are not very much of a problem for me.
I do have a very wonderful mentor, who helps me and reads my work and criticizes me, all the time. You've gotta have those people, who will tell you the truth and help you. You don't want anyone buttering you up. I want someone to tell me what I can fix. That's what I like.
Naked I came into the world, naked I shall go out of it! And a very good thing too, for it reminds me that I am naked under my shirt, whatever its colour.
Donald Trump actually won a lot of people. We've got to give the president-elect his due. He was a tractor beam for the disappointed. He said to the people who were disappointed with the president on Obamacare, "Come to me." He said to the people who were disappointed with trade, "Come to me." He said to the people who were disappointed with the Supreme Court, "Come to me." And he did run a campaign of bringing in the disappointed. And to the people who may be disappointed with their own lives and where they are. And they have a person to speak for them.
My father told me once not to expect anything from anybody so I wouldn't be disappointed. If somebody was nice and did nice things for me, I should be overjoyed, but I shouldn't go through life expecting it, which is very good advice.
In the past, I’ve had my share of good reviews, but it’s always the crazy, scary, weirdo guy. I don’t even know how it happened. Look at me. I mean, when I’m naked, I look like a bald chicken. How did I get to be a scary bad guy?
By 1949, there was no more work for me out there, and I went to New York in 1950 and just did whatever I could. Mainly television. Some Broadway. A lot of dinner theater work, which is not a very satisfactory medium.
I wasn't a rebel. It kind of clicked in my head, like, if I want to do this, I can go out and do it. Some kids, it clicks for them, and it doesn't work out. But thank God for me it did work out. I put in all those hard hours of work, and it has gotten me to where I am.
I read a lot, very passionately, from the time I was very young, but it was a constant battle; my mother would more or less let me be, but with my father, I was always searching for a place where he wouldn't find me. Whenever he saw me reading, he would tell me to put the book down and go outside, act like a normal person.
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