A Quote by James Nathan Miller

There is no such thing as a worthless conversation, provided you know what to listen for. And questions are the breath of life for a conversation. — © James Nathan Miller
There is no such thing as a worthless conversation, provided you know what to listen for. And questions are the breath of life for a conversation.
There's a deeper conversation to be had on guns, and just because I happen to know where I fall into that conversation doesn't mean that I don't want to have that conversation.
Visiting a new town is like having a conversation. Places ask questions of you just as searchingly as you question them. And, as in any conversation, it helps to listen with an open mind, so you can be led somewhere unexpected. The more you leave assumptions at home, I've found, the better you can hear whatever it is that a destination is trying to say to you.
I happen to disagree with the well-entrenched theory that the art of conversation is merely the art of being a good listener. Such advice invites people to be cynical with one another and full of fake; when a conversation becomes a monologue, poked along with tiny cattle-prod questions, it isn't a conversation any more.
Eden is a conversation. It is the conversation of the human with the Divine. And it is the reverberations of that conversation that create a sense of place. It is not a thing, Eden, but a pattern of relationships, made visible in conversation. To live in Eden is to live in the midst of good relations, of just relations scrupulously attended to, imaginatively maintained through time. Altogether we call this beauty.
This conversation with the audience has been going on since, what, '72, '73... Sometimes it's like a conversation after dinner with friends. You're in a restaurant, and you got there at 8 o'clock. Suddenly, you realize it's midnight. Where did the time go? You're enjoying the conversation. It's sort of a natural, organic conversation.
If I want to have a conversation, I can't have a list of questions, because the second question on the list is going to interrupt the conversation.
I'm a constant idiot in conversation - I always seem to sound either smug or stupid. Writing plays was a way of winning the conversation by controlling the conversation.
I was in a conversation and someone said: "You know, we were talking about the whole issue of transgender and how it has become so accepted now, and somebody said, 'You know the Oprah show, I think has had a big impact.'" I said, I don't think so. We did several transgender [shows], but we didn't do as much for transgender as I did for, say, abused kids or battered women. And they said, "But no, you started the conversation. You started the conversation and the conversation has led us to here."
I'm always for constructive conversation, meaningful conversation, not just words, but conversation.
A big part of the challenge is teaching your kids how to have a real conversation, not a texting conversation. If they're not sitting down at the table, the art of conversation is going to go.
Are we, like, having a conversation?" "Did you just, like, ask me for advice and listen with an open mind? If so, then yes, I would call this a conversation
I think women are deeply interested in a conversation around fertility. It's not a conversation just for one age group of women, a conversation if you're post 30 or post 35. This [is] conversation about reproduction, about taking your own power with you and deciding for yourself.
Music is like a conversation. One person says one thing that speaks with a harmonica, with a bass, with a drum. They're all conversating, and we're just trying to find a way to make conversation rather than blah, blah, blah. But it's not really so hard a thing to do if you know the way to approach it.
Music is a conversation between people and their community, you know, people and - and deejaying, it is a way of amplifying that conversation and kind of putting that conversation on blast in a way. But at a very basic level, it's records talking to records.
The most important thing is to have the conversation, and let people who do make mistakes feel comfortable enough to continue the conversation.
If you've ever had the experience of being in conversation with someone when they were fully present, listening deeply to you when you're sharing with them, you know that five minutes of a fully present conversation like that can be more powerful than 30 minutes of distracted conversation.
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