A Quote by James Pearse Connelly
You take for granted the details that make something look real. It can still look fabulous, but if you add a light switch, a vent, or the notion of air conditioning, it can look real.
Related Quotes
You put on a face for the public. The face isn't false; it's just another side of you. If it were false, you couldn't last. People want something real and natural, and if they catch you acting, you're dead. It has to look real. In order to look real, it has to be real, and I've always thought of the characters I've played as real people.
Sometimes I wonder what will be the air conditioning of my dying days. What thing will they add that will make it impossible to be uncomfortable? Because I do assume that as an old person, I will be very comfortable. There will be something - a drug or some way to impact the air around me - that when I relax, I'm gonna feel great. So I do look forward to that.
I don't really diet or anything. I'm miserable when I'm dieting and I like the way I look. I'm really sick of all these actresses looking like birds I'd rather look a little chubby on camera and look like a person in real life, than look great on screen and look like a scarecrow in real life.
To make something look real and alive, nothing can be symmetrical because nothing in real life is symmetrical. You have to make it look organic.
You look for the way something is built. You see a Prada bag and you look at the stitching at the back. If it's a fake one, then they make it really cheap. If it's a real Prada bag and I will look at it, I will count every single stitch and make sure they are exact distance apart.
I like having to figure out how to pull things off, how to sell it, how to make it look real, but not just real, make it look better.
One of my favorite things about the Kung Fu Panda 3 is the look of it. We never go for realism. I think a lot of time when people go for 3D that's the mistake. Because we're never going for full realism - for computer generated live action films like Avatar the goal is realism, to make the audience feel like they are seeing something that is real. Lord of the Rings had character design and environments to make it look real, whereas we aren't going for that, we are going for something that is theatrically, viscerally, and emotionally real.
People anyway didn't take me seriously because of the way I look. And for some reason, there's this Indian perception that sportspersons should look wanting, they should look like they've put up a real struggle.
It's people's own prerogative to be able to look at something and know the difference between 'this is what someone looks like with make-up on' and 'this is what they look like in real life.'
Look at the stars! Look, look up at the skies! Oh look at all the fire-folk sitting in the air! The bright boroughs, the circle-citadels there!
The screen is a window through which one sees a virtual world. The challenge is to make that world look real, act real, sound real, feel real.
When you can take something that is a reject at the thrift store sitting on the bottom of a pile of junk and make it work, make it look interesting, that's real style to me.
Layering is always a great way to look different and to keep your look younger. Basic tees, vest tops, jackets, leggings, shrugs, etc, can be mixed up to add spunk, variety and colour to your look. A good sense of mix 'n' match is required to make this look work.
When hard-working Brits hand over a chunk of their pay cheque every month so they can look forward to a decent retirement, they are expecting bosses to look after it. That's something you should be able to take for granted.
Before the days of video village a director should stand right next to the camera, look with his naked eye and if he sees something that is real to him, he'd look up at the [camera] operator and if he gives the look to indicate he'd seen it to, then you print and you'd move on.
I look real good and feel even better, I make a burlap sack look like a cashmere sweater.
