A Quote by James Preston Rogers

My strongest quality as an actor is taking direction. I will give my performance as a template and if the director gives any instruction, I take that information, process it and morph it into the next take. I love the feeling I get when nailing a scene through direction.
You can choose a direction that will take you into something that isn't going to take you where you want to go, or you can choose another direction which is down the right pathway.
I curse you," it said. "All who love you will die. Their love will be their destruction. It may take moments, it may take years, but any who look upon you with love will die of it, unless you remove yourself from them forever. And I shall begin it with her." It snarled in Ella’s direction, and vanished.
It took me a long time to figure out that real big-time success comes from taking lots of small, ordinary steps in the right direction. And you can't ever take the next step until you take the first.
When you're in the middle of an interview, it's so easy to stop listening and think about the next question you're going to ask. You can miss that golden moment which might take you in a different direction or a direction you didn't expect.
It is always wise to remember that others will survive even if we are not there taking care of them. I found out that I feel so much better when I take an hour a day, just to take care of me and love myself. It keeps me from feeling so put upon by everything and everybody and helps me get through the day. By taking my hour early in the morning, I feel like I get my love first and I get it when I am at my best.
I think the most important CEO task is defining the course that the business will take over the next five or so years. You have to have the ability to see what the business environment might be like a long way out, not just over the coming months. You need to be able to both set a broad direction, and also to take particular decisions along the way that make that broad direction unfold correctly.
The first work of the director is to set a mood so that the actor's work can take place, so that the actor can create. And in order to do that, you have to communicate, communicate with the actors. And direction is about communication on all levels.
When you get into an airplane by yourself and take off, you find yourself in this lovely, three-dimensional world where you can go in any direction. There is no feeling any more exciting than that.
I'm drawn more to quality, and so if the quality is in television, I go in that direction. If it's in film, I go in that direction. But I don't limit myself or discriminate against any of the mediums.
Unbroken companionship helps us hear His instruction so then we can see His direction. We must not seek direction before obeying His instruction.
. . . people use tricks to get you to think the way they do or take away something you have that they want. One way they do that is to interrupt your normal way of thinking and take you by the hand and guide you down the path they want you to take. Father says they make you take a teeny-weeny step in their direction, and then they start to nudge you a little further down the path and before you know it, you're running full speed with them in a direction that you probably wouldn't have gone alone.
The real work of an actor goes on inside, and I don't think it changes from director to director - I always go for broke! But I don't get a lot of direction, unfortunately.
You can give the greatest performance possible, but if you don't have a director who's pointing the camera in the right direction and an editor who's editing it properly, it doesn't matter what you do. The director and the editor are the most important people. Not the actors. Sometimes the writer is important. But if you don't have a good director, you can't have a good production.
I like the fact that a lot of people get to hear the music and I love performing with people cheering you on and you're feeling the love for what you're doing, but there's also the other side where if you give away as much personal information as I do it's hard not to take it personally when people are saying mean things about you. But I try not to read any comments. Right now I'm just feeling a lot of love.
Performance is made in the editing room, and I've come to see the truth in that - the idea that they say performances are usually made in the editing room because what you film is the raw material. I think just going through the process of saying, "Which take do we use? Why is that the take we want? I want that take can you edit again, I'm not sure that's the one, I think it's this one." And just because you go through that process, I think somehow it's made me sort of more open about the [actor's] possibilities.
What I think after reading the script and seeing where the story goes, I go with my instincts on the character. If my instincts are wrong the director and the producers will guide me in the right direction. That's just kind of how I take on any role, be it a fantasy movie or not.
This site uses cookies to ensure you get the best experience. More info...
Got it!