A Quote by James Toback
The collaborator has to be someone who understands that his role is to help you articulate what you want, but at the same time is not just going to be mechanically obeying, but adding to, supplementing, and coming up with stuff.
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You have to really work with someone who you think is going to be a collaborator, who you think understands what you want to do with this movie and how you want to do it.
Choosing a director is like choosing a therapist - you want somebody who is going to be a step or two ahead of you, who can interpret and articulate your intentions better than you can, with the benefit of objectivity. I look for a collaborator who is going to help bring to life, on stage, in three dimensions, what is on the page. I wouldn't want a director who imposes conceits or distrusts the text or who has prejudged the characters.
I'm doing the exact same thing and adding a little bit more flexibility. I'm going to bench here. I'm not a kicker who's just going to hang out at practice. I'm going to be in the weight room pushing linebackers, defensive ends, tight ends. I'm going to push everyone. whatever I'm doing, I'm putting up numbers that someone else would do. Not only do I love working out, but at the same time it's able for others to maximize their potential.
No matter how your breading or batter is constructed, it serves the same function: Adding a layer of 'stuff' around the item being fried means the oil has a tough time coming in direct contact with it, and thus has a hard time transferring energy to it.
He says he had to go help someone in a desperate situation. Who, exactly, he refuses to say. He doesn’t know when he’s going to be back, but suggests we put off the wedding for a few days. The rotter! How dare he just zoom off and not tell me where he’s going, or who he’s going to help, or what exactly he’s up to!” Yeah, how dare he go out and be all heroic and stuff when you want him here slobbering over your big boobs.
I don't get competitive, really. So I don't know. If I'm excited about something, hopefully someone will think, "Oh right, you should do this." And that's great. I'm not being very articulate about this. I just don't want to do stuff if I'm going to feel bummed out and uninspired.
I need a stylist to help me pull together a wardrobe. I just don't have a lot of time to go shopping. So I have a stylist that knows what I want to wear, what cut of clothing I like, someone that really thinks and understands what my style and how I want to feel in the clothes.
My mom is just someone who's easy to talk to and hang with. My sister, it's always cool to be able to help her out with things. My brother is fun when we're just joking and messing around. And my dad is someone who's helpful with my music and easy to talk to about that stuff because he understands me in that sense.
In order to help another effectively, I must understand what he understands. If I do not know that, my greater understanding will be of no help to him... instruction begins when you put yourself in his place so that you may understand what he understands and in the way he understands it.
We want to have a relationship with technology that gives us back choice about how we spend time with it, and we're going to need help from designers, because knowing this stuff doesn't help. We're going to need design help.
For sure, you don't believe the good stuff. I mean, the good stuff is just insane - wacky. If you don't take it too much to heart, it does help when the negative stuff hits. And you know the negative stuff is coming. It's got to! What comes up must come down.
If I meet two guys at the same time and one of them is coming on really strong and talking a lot, and the other is more quiet and reserved, I'm going to like the second one. I want someone who isn't going to give it away in the first meeting.
I thought it was possible that O.J. could have done something. It crossed my mind. I was thinking about the events of everything and going, Why did I hear that? I was going, No, it can't be, and just all that stuff was adding up.
Every time I do a movie, I'm reading the script, or if it's something I have coming up, I'm reading the script, and I just spend hours and hours and days and weeks and months going over the script and just writing a lot of different ideas down, finding a little dialogue or just coming up with ideas for scenes and moments and all that kind of stuff.
I think when you have the point guard guarding someone full court and just chasing the guy all around, always in the right spot, it just makes you want to get down in a stance and be his backup and have his help whenever he needs it. Or having the same energy that he has.
I have a gut reaction to stuff that I read. Either it's a filmmaker that I really want to work with, or it's a story that I really want to be a part of and help serve, or there's a character that I feel I can bring something unique to. That's really what it's about. I would go crazy, if I just relied on the same tricks and did the same thing, all the time. It was just be no fun, at all. I really do need to try something different, every time out, and do something that scares me, a little bit.
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