A Quote by James Toback
I'd been basically anchored in New York for three years, but I fled to L.A. after the funeral and decided that I had to start a movie immediately. It was the only way to avoid becoming overwhelmed by depression. And that meant financing the film myself because there is no such thing as "immediately" in movies that one writes.
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I took part in a theatre festival in Massachusetts two summers after I graduated from college. Then I was in Los Angeles thinking: "I'm going to go to New York." I'd decided that I would not have a chance of a film career, so I was about to make the move. I bought a plane ticket and found a place to live in New York, packed my bags and of course the universe "told me" that I was not meant to go. Suddenly, a week before I was supposed to leave, I had three job offers and one of them was my first movie.
An important part of my story is that I didn't walk out of Planned Parenthood immediately after witnessing the ultrasound-guided abortion. It is made to appear that way in the film, 'Unplanned,' because they are trying to fit 10 years of my life into an hour-and-a-half-long movie.
When I was mayor of New York, my views changed. I began as mayor of New York City thinking that I could reform the New York City school system. After two or three years, four years, I became an advocate of choice, of scholarships, and vouchers, and parental choice, because I thought that was the only way to really change the school system.
A lot of the reason I left New York, in addition to being so broke, was that I just felt I was becoming provincial in that way that only New Yorkers are. My points of reference were really insular. They were insular in that fantastic New York way, but they didn't go much beyond that. I didn't have any sense of class and geography, because the economy of New York is so specific. So I definitely had access and exposure to a huge variety of people that I wouldn't have had if I'd stayed in New York - much more so in Nebraska even than in L.A.
I did a movie with Woody Allen [“Hollywood Ending” in 2002]. I only had a few days with Treat on that film. I immediately liked Treat. Treat and I had a sense of humor about the whole thing.
When I left college, I though that I would be immediately embraced by the film world and instead found myself sitting in a squat for three years not knowing what to do with my life.
I've never really felt at home in L.A. I've only been here to work, and then I immediately go back to New York.
What I'm looking for is a self-promoting film; a movie which immediately gets people's imagination is something I can promote - a project which writes its own publicity.
I loved living and breathing theatre so much that I decided I had to find a way to bring my desire to act and my ability to support myself together. I'd run through the possibilities in Washington, so that meant moving to New York.
If movies generically don't work, you immediately start to pick apart what ingredients contributed to that. If any movie is working, hopefully how it was made will be the least of your concern. You'll only want to have a god time.
I was on bed rest because of a fracture for about three months. 'Kabir Singh' happened immediately after that. So it was a good way to get back to work after a break.
I just decided to make a movie. I had no training, no film school, but I had been to a lot of movies.
I read "Milk" and immediately I was very emotional after reading it and then I saw the documentary - the one that Rob Epstein did - and I said that's it. I saw it with my daughter and that was it. This thing is a different thing. It's like I've been offered these kind of superhero movies or "Terminator" or whatever those movies are and I just go ahh.
The existence of another, competing translation is a good thing, in general, and only immediately discouraging to one person - the translator who, after one, two, or three years of more or less careful work, sees another, and perhaps superior, version appear as if overnight.
In 2013, after living in New York for 18 years, I decided to leave Manhattan for a fresh start in Palm Beach.
They make three types of movies, and if you don't make one of those three, you have to find independent financing: It's either big-action superhero tent-pole thing, or it's an animated film, or it's an R-rated, raunchy sex comedy. They don't make movies about real people.
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