A Quote by James Vance

My personal beliefs were shaped more by experience and by watching the news when I was young: images of angelic-looking college students in Mississippi crying like the world was ending because black people were being allowed on their campus; the slow mounting horror of Vietnam on the evening news every night; sitting with my parents in front of the TV and being appalled at the way the Chicago police were treating the protesters during the '68 Democratic convention. Being eyed with suspicion because of my age and the way I wore my hair.
Watching the evening news in 2011 is a strange time-travel experience. 'The CBS Evening News,' 'ABC World News' and 'NBC Nightly News' haven't changed their style over the decades, still going for that old-fashioned mix of voice-of-authority pomp and feel-good fluff. The difference is that people aren't watching.
I was petrified because all my friends would be going to Washington, DC, to protest. I was sixteen, and I was like, "I don't think I'll be going with you guys," just because I was scared. Then you saw the news, and cops - not students in schools with guns - cops are killing sixteen year old protesters on the news. To me that was more horrifying, to have the authority figures actually killing people on the evening news, than to have another student firing a gun.
My parents were really political. The news was very important in our home. We basically had dinner every night while watching the news, and then we'd discuss it with our parents.
I don't think we were shy so much as we were terrified. Especially when we did 'Saturday Night Live' on live TV. We looked really animatronic because we were scared, but it came off as being this alien sort of attitude, which served us well, because people were like, 'Whoa, this is so weird.'
When I was a kid, we watched the Vietnam War on the six o'clock news, and it was desensitizing. You felt you were watching a war film; meanwhile you were really watching these guys getting blown to bits. Parents need to protect their kids from watching that stuff.
You know, one of the ways we adapted to not being free was to think that our group identity was again, the way we were being black, and being down with the cards. That was the way we were going to get it. Unity was everything.
I set a rule that people weren't allowed to send good news unless they sent around an equal amount of bad news. We had to get a balanced picture. In fact, I kind of favored just hearing about the accounts we were losing because ... bad news is generally more actionable than good news.
The way I was taught, being black was a plus, always. Being a human being, being in America, and being black, all three were the greatest things that could happen to you. The combination was unbeatable.
We thought we were being mature when we were only being safe. We imagined we were being responsible but were only being cowardly. What we called realism turned out to be a way of avoiding things rather than facing them.
The fact is that in my prep school, I went to a boarding school, 39 young men graduated from that prep school. Five years later, a quarter of us were in SDS, in Students for Democratic Society. Not because we were particularly chosen or because we were as I say, we were lucky but we were mainly luckily to grow up at a time where this black freedom movement was really defining the moral character of what it meant to be a citizen and a person.
Coming of age in the 1960s, I heard the word 'fascist' all the time. College presidents were fascists; Vietnam War supporters were fascists. Policemen who tangled with protesters were fascists - on and on.
Images have been reproached for being a way of watching suffering at a distance, as if there were some other way of watching.
I've always been quite mature because of the way my parents brought me up. They were very good at talking to me like a person rather than a baby, and I was around so many actors and directors from such a young age because my dad is an actor. I was more comfortable with adults rather than actually being an adult child.
Jason and the Argonauts' is the very first movie that I ever remember watching. My parents were living in New York and I was a very young kid. And I remember being in front of my TV all alone watching skeletons fighting with swords. For me it was magic.
I always designed clothes from a very young age because I didn't like the way they were. They were paralyzing; they were stilted.
People were encouraged to snitch. [South Africa] was a police state, so there were police everywhere. There were undercover police. There were uniformed police. The state was being surveilled the entire time.
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