A Quote by James Vance
I'd forgotten how challenging comics can be until I started working on Ropes. Yes, you're restricted by the boundaries of the page, but we all work within technical limitations of some kind.
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The principle of Creative Limitations calls for freedom within a circle of obstacles and restricted boundaries. Talent is like a muscle: without something to push against, it atrophies. So we deliberately put obstacles in our path - barriers that will inspire us. We disciple ourselves as to what to do, while we're boundless as to how to do it.
I'm really happy that more and more people are making their own comics. I remember how daunting it was for me to just put pen to paper, page by page, until you had a finished comic, but the way new creators are doing that and bravely bringing their unique voices and experiences to their work is really inspiring.
A comic is a way of literally experiencing someone else's vision with a purity that I don't think any other medium offers; there are no technical, electronic or financial limitations; one only has to work harder to improve. Lately I think a new attitude has prevailed that comics aren't inherently an Art form, but that some cartoonists are genuinely artists.
There has to be some more regulation. But our kids have this incredible buffet of they can work in genomics, they can work in pre-omics, or they can work in robotics, or they can work in this, or they can work in that. And within the next five years there will be entirely new industries that come out of nowhere that kids are working in that would have been inconceivable when they started college. Not when we started college.
Honestly, before I started working at the comic shop, I was not a huge comic reader. I grew up reading 'Archie' and have an incredible love/hate relationship with Archie Comics. I got back into it when I started living with some roommates who were really comics fanatics.
In some ways the players are no different to kids as you've got to set boundaries and you've got to work within those boundaries. If you work hard and you do everything that's asked of you, there's great reward afterwards.
The premise of Kiss has always been to not live within the confinements and boundaries other people set for themselves. We set our own limitations, and those are no limitations.
The main difference between illustration and comics is that comics are much, much more work. Every comics page is the equivalent of six to nine illustrations.
I'm talking about technical goofs. I'm pretty much on top of it. The kind of picture you're referring to would have to be more about the effects of technical things, technical phenomena, and I'm just not interested in that kind of work at all.
Why does the need to explain comics still exist? Because that prejudice still exists. It's fading, but it's still very strong. It's important to keep pushing the boundaries of what people know comics to be so that they are receptive to the whole world of comics, not just one or two genres of work.
What I liked about doing a soundtrack is that it's almost the opposite of any kind of normal recording that a band does, because it's very much a restricted, narrow... And I kind of like that, I find it exciting to work within these things.
I really practiced hard and got to a certain level of technical proficiency. I overcame some of my limitations. I was a hard-working, dedicated bassoonist, but I have to say I'm not a natural musician.
I used to think it was good to kind of work within your limitations.
I've been working in theater, really, since about 1965. I started working with the Mabou Mines about then, and in a way I've always worked in the theater, but it's never been a main part of my work. And it wasn't until Einstein that I kind of shifted into high gear with theater, working with Bob, with Bob Wilson. And since then I find it a very attractive form to work in. It's just an extension of my work.
Yes, the fear of its blankness. At the same time, I kind of loved it. Mallarmé was trying to make the page a blank page. But if you're going to make the page a blank page, it's not just the absence of something, it has to become something else. It has to be material, it has to be this thing. I wanted to turn a page into a thing.
This world and life of ours are filled with inequalities. The worst possible use to make of this fact, however, is to allow resentments to possess us. All of us have imagined limitations, but we have also the privilege of pushing them aside, and spreading our lives out! We never know any of our limitations until we put ourselves to the test. There are always "growing pains" working within us.
