A Quote by James Watkins

'The Godfather' is the talismanic giant that hangs over everything in the gangster genre. — © James Watkins
'The Godfather' is the talismanic giant that hangs over everything in the gangster genre.
I love the gangster genre, but how many gangster movies are there? If I get a good gangster movie script, I'll do it.
Some of the greatest movies of all time are within this genre, 'The Godfather,' and 'Goodfellas,' and 'Untouchables' and there's just so many classic gangster movies that I was always such a fan of.
People love stories about the mafia: 'The Godfather,' 'American Gangster.'
I loved the Godfather. I thought that was the best interpretation of our life that Ive ever seen. Godfather I and Godfather II - the other one stunk.
I've always loved the genre of gangster films.
I am totally inspired by 'Godfather,' one of the greatest films made. Also, I am fascinated by the thought of how someone becomes a gangster and continues to be one.
The old cathedrals are good, but the great blue dome that hangs over everything is better.
A studio gangster dupes people into believing he's a tough guy, but in reality he's the former student body president and member of the National Honor Society. Once Vanilla Ice was fingered as a studio gangster, his career was over. Thank God.
Gangster movies are the inheritor of the Greek tragedy: it's the only genre where the audience will be disappointed if there's not a tragic ending.
Jay Prince is a real gangster. He ain't hiding behind a desk talking. He is the true living definition of what a gangster is. If you wanna see the truth and what gangster really is, that's what Jay Prince is.
I'm tired of Italian gangsters. Not that I don't watch 'The Godfather' every morning when I get up and 'Goodfellas' when I go to sleep at night. But I've just always been fascinated by Russia as a country, by the Russian personality. And now Russia is literally a gangster nation.
When I visited Moscow for the first time in 1998, I wandered into the historic Metropol Hotel as a curious tourist simply to ogle the giant painted glass ceiling that hangs over the grand restaurant off the lobby. It was the memory of that short visit that prompted me, some years later, to set 'A Gentleman in Moscow' in the hotel.
I discovered the fun of genre is... you get to explore your fears, and you get to use the metaphor of the genre - whether it's a giant monster or a... 12-year-old vampire. Whatever it is, you can sink something underneath the surface and make a personal film under the guise of great fun romp.
Oddly, in this age of the blinding white Oprah pantsuit, when everything is illuminated, it seems a Victorian lace curtain still hangs over the delicate womanly matter of our personal expenditures.
Films like 'The Godfather,' 'The Exorcist,' 'Klute,' 'Chinatown,' 'Network,' and 'The Parallax View': They were drawn from the genre tradition, but they dressed down the stylistic telling of those traditions and genres.
I was fortunate in the last century to be in the two biggest hits film-wise, "Godfather I" and "Godfather II," and "Lonesome Dove".
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