A Quote by James Watkins
If you look at 'The Sopranos,' there's this notion of a criminal element on its last legs.
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If you think about the traditional mafia stories we grew up on, it is always about the death of criminal organisations - things like the 'Sopranos' - the last vestiges of once proud families subsumed by the modern era.
In existing criminology there are concepts: a criminal man, a criminal profession, a criminal society, a criminal sect, and a criminal tribe, but there is no concept of a criminal state, or a criminal government, or criminal legislation. Consequently what is often regarded as "political" activity is in fact a criminal activity.
Polyphonic painting is superior to music in that there, the time element becomes a spatial element. The notion of simultaneity stands out even more richly.
The thing that attracts people to "The Sopranos" is the family element. It shows that America still has a longing for that traditional upbringing.
The press is so powerful in its image-making role, it can make the criminal look like he's a the victim and make the victim look like he's the criminal. This is the press, an irresponsible press. It will make the criminal look like he's the victim and make the victim look like he's the criminal. If you aren't careful, the newspapers will have you hating the people who are being oppressed and loving the people who are doing the oppressing.
I've always been tremendously interested in criminal law. It goes to a deep interest I have in prisons and the criminal element, and what we do as a society with it. I've always been touched by the idea of criminality.
I spent the whole first year of my career just on my legs. If you have good legs under you, then you can punch. Anybody can stand and throw their hands and look like an idiot. If you actually want to learn how to punch, you have to work on being balanced on your legs and feeling your legs under you. Feel the ground.
When we think of a criminal, we imagine someone with criminal motives. And when we look at Eichmann, he doesn't actually have any criminal motives. Not what is usually understood by "criminal motives." He wanted to go along with the rest. He wanted to say "we," and going-along-with-the-rest and wanting-to-say-we like this were quite enough to make the greatest of all crimes possible. The Hitlers, after all, really aren't the ones who are typical in this kind of situation--they'd be powerless without the support of others.
The criminal element now calculates that crime really does pay.
When you look at almost every submarine movie, to some degree or another, there's this 'Moby Dick' element, this Ahab element to them.
'The Sopranos' only reflected the tenor of how things are done in New Jersey. They didn't invent it. And I say that as a fan of both 'The Sopranos' and New Jersey.
There is a documentary element in my films, a very strong documentary element, but by documentary element, I mean an element that's out of control, that's not controlled by me. And that element is the words, the language that people use, what they say in an interview. They're not written, not rehearsed. It's spontaneous, extemporaneous material. People
Society during the last hundred years has been alternately perplexed and encouraged respecting the two great questions: how shall the criminal and pauper be disposed of in order to reduce crime and reform the criminal on the one hand and, on the other, to diminish pauperism and restore the pauper to useful citizenship?
Society, during the last hundred years, has been alternately perplexed and encouraged, respecting the two great questions -how shall the criminal and pauper be disposed of, in order to reduce crime and reform the criminal on the one hand, and, on the other, to diminish pauperism and restore the pauper to useful citizenship?
You look so out of your element. (Savitar) I am out of my element. Much like you in a Seattle Goth club. (Acheron) I’m never out of my element, Atlantean. And it must be dire indeed to get you in shorties, and on a board. One day I’m actually going to get you to say ‘Rad four-mill steamer, dude! (Savitar)
I used to have this thing about my legs. If you look at all of the Destiny's Child albums from when I was a part of the group, you never saw me in a skirt. I was always the one who wore the pants, because I felt like my legs were too skinny.
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