A Quote by Jamie Dornan
I got to watch Anthropoid with this Czech audience and the story means so much to the Czech people so watching it with that audience was kind of terrifying but they responded very well.
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We were able to shoot in a lot of the locations where the mission actually happened and these guys existed, so that was kind of very affecting. We had a Czech crew and a lot of Czech actors. There's a great deal of authenticity to the project [Anthropoid], and Sean [Ellis] was very anxious that that was the case from the beginning.
I used to spend summers in the Czech Republic with my grandmother. I'd watch Czech cartoons.
Well, I'm Czech, but Polish, Czech, no matter, it's my name.
If I were to arrive at a foreign country like Czech Republic, I don't have to speak Czech to understand the feeling of the local sensations through architecture. That is a kind of communication that no language can perform.
Behind The Curtain of the Night is a life after death movie and it is based on a best-selling novel in the Czech Republic. It is a true story, and together with director Dalibor Stach, producers Milan Friedrich and Phil Goldfine, we were able to bring such a meaningful, important, and powerful story onto the big screen. We were so blessed that we got to shoot in the best historical locations throughout the entire Czech Republic from Prague to Karlovy Vary and many other important locations.
The connection between the Soviet Union and Czech people - or Czech politicians - was very big. It was like a model country for us. But it wasn't the best model, so a lot of Czechs don't like to speak about Russia or the Soviet Union.
Down through the centuries, the Czech Republic, the territory of the Czech Republic has been a place of cultural exchange.
Emotionally, light very much influences, I feel, the audience. It's not something that most audience members are conscious of, which is a good thing, because it means as filmmakers, we have the opportunity to gently control an audience into feeling a certain way.
Any kind of sequence when you have to express physical space and time can be difficult to story-tell because, if you're sitting there watching it like it's a play or something, your mind can track what's going on, or if you're watching an actual fight you can kind of track what's going on, but as soon as you have to start telling the story and tracking for the audience, it becomes much more complicated.
My favourite language, actually, is Czech, just because it's so colourful. We have so many combinations, words, and expressions. I have to say there are a lot of things which you can say in Czech, but you cannot really translate, because the meaning would make no sense.
Czech Republic is an important part of central Europe. It's clear that we must participate in European integration. I am convinced that the Czech Republic - or, in the past, Czechoslovakia - would have been one of the founding members of the EU if it hadn't been for the communist takeover in 1948.
The way Donald Trump talks about the problems of black Americans as a kind of separate group who are not part of his audience but he's kind of reaching over his audience or behind his audience to black Americans, saying what have you got to lose? As in you might as well join me because the Democrats haven't done anything for you. But joining me means joining this group that already supports me.
It's very important that a film that intends to play tricks on the audience... has to play fair with the audience. For me, any time you're going to have a reveal in the film, it's essential that it have been shown to the audience as much as possible. What that means is that some people are going to figure it out very early on. Other people not til the end. Everybody watches the film differently.
We had a poster of the Davis Cup in 1986. It was in Prague, the Czech Republic against Sweden, and we went to watch, so I got the poster. You couldn't get all the posters. You were lucky if you got one.
I make some movies for myself. I do that sometimes when the subject matter is very sensitive and very personal and I really can't imagine that I'm an audience member. I would lose myself too much if I thought of myself as the audience. There are other types of genre films that I need to be able to direct from the audience, to be right next to you watching the picture being made.
Definitely it would be foolish to try and make my Czech films here in America, as foolish as it is when some Czech filmmakers try to make movies of America in Czechoslovakia. It was always abysmal stuff.
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