A Quote by Jamie Hyneman
I don't see that we're any different than many, many people that are out there. And it's hard to kind of accept something like we're larger than life, super-people or something like that.
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I actually dislike, more than many people, working through literary allusion. I just feel that there's something a bit snobbish or elitist about that. I don't like it as a reader, when I'm reading something. It's not just the elitism of it; it jolts me out of the mode in which I'm reading. I've immersed myself in the world and then when the light goes on I'm supposed to be making some kind of literary comparison to another text. I find I'm pulled out of my kind of fictional world, I'm asked to use my brain in a different kind of way. I don't like that.
There are just so many different types of people that come into my studio, and secondarily, there's the idea of ideation, like, "Who are you and what do you see in yourself in this other person?" So many different people that you would see so many different things.
When you ask people what it is like being part of a great team, what is most striking is the meaningfulness of the experience. People talk about being part of something larger than themselves, of being connected, of being generative. It becomes quite clear that, for many, their experiences as part of truly great teams stand out as singular periods of life lived to the fullest.
Something that can happen when you enter the world of being an actress is that people see you one way and have a really hard time using their imaginations to see you any other way. I would be completely satisfied if I could go the rest of my life without being super-huge and super pigeonholed - I would love to play different characters the rest of my life.
There's always people - it doesn't take many - who have a different psychological makeup than most of us who really get joy out of provoking. They don't always believe the things they say, they just like to watch people go crazy. You know, I knew people like that in elementary school - bullies of one kind or another.
A lot of people... kind of make heroes that are separate from us, people who are, you know, like... John Wayne and Errol Flynn and, you know, Denzel Washington... people who are different, who are larger than life.
The vampire underworld is much larger than most people could imagine. It exists in all the cities mentioned in the book, but also in many, many more. Teenagers, especially, seem to like to act out vampire fantasies.
I think that every human - and this is something, you know, like, your years from 14 to, like, 23 are kind of, like, super, super existential, and you're figuring out life.
When I look back on the past two decades of my journey today, I guess many people would interpret my artistic practice as a kind of cross-media attempt. I have indeed tried many different kinds of media over the past 20 years and collaborated in many different ways with people from many different fields. However, I like to understand this process as a kind of compensation for having once lost my "right of choice," an exercise of free choice and taking responsibility for any consequences that might result from it. To be honest, it's a bit of a paranoid act.
This sport definitely saved my life. I was messing up and headed in the wrong direction. I was never a bad kid or anything like that. I just, you know, like many people, just kind of wanted to rebel and to do something different.
Technique in the minds of many is something rigid, something like a formula that you impose on the material; but in the best stories it is something organic, something that grows out of the material, and this being the case, it is different for every story of any account that has ever been written.
Many people are never happier than when they get the opportunity to complain, while others are deeply unhappy with how things are but just accept the fact. Complaint occurs when we refuse to accept that things are wrong and we do something about it, even if that something is simply articulating our unease.
I'm always fascinated when people really fervently believe, because I have such a hard time believing anything. When people have real faith in something, it's fascinating to me. And the fact that so many people, in surveys, so many people say they do. It kind of blows my mind.
I’m always fascinated when people really fervently believe, because I have such a hard time believing anything. When people have real faith in something, it’s fascinating to me. And the fact that so many people, in surveys, so many people say they do. It kind of blows my mind.
One thing I have figured out: People don't like different. People don't like to see anything different. When you see something different, you are either scared or afraid or you feel threatened. And I feel that the way I play the game, it feels like I should have played 50 years ago. But it's what I do.
And so, however many people watch this thing, that's how many different opinions there will be about it. But I don't feel like it has an agenda in terms of its ideology. It just presents a story like a mirror. It's a mirror more than it is than a distorted mirror.
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