A Quote by Jancee Dunn
When someone shuts down on you... There were a couple of times of somebody that was just unpleasant, and you can't get them to loosen up. It's this horrible spiral when it's on camera, because you're trying to get them to like you, to trust you, to give you decent answers.
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Tell me what's wrong with this idea: If you're selling to somebody, find someone like that person to sell to them. If you're trying to reach swing voters, if you're trying to reach people on the fence, if you're trying to reach Republicans who are unsure about this candidate... get people who switched! Get people who are registered Republicans. Get people who were George Bush voters who can't bring themselves to do it again. Talk to them, get them to explain what their reasons are, and show them to people. What's wrong with this idea?!
When somebody doesn't use common sense, I get frustrated. When I'm driving down the highway and someone is in the left-hand lane, and they're going very slow, sometimes I just go around them, and other times I'll be in the mood where I flash my lights and yell at them, like, 'What the heck are you doing? Get the heck out of my way!'
You can get a much better fee - I tell you as auditors quite frankly - it's much easier to get a great deal of money out of somebody who's on a down spiral into becoming MEST than it is to get money out of somebody who is going on an up spiral toward becoming theta.
I really trust the authenticity of real people and my job is to get them to be themselves in front of the camera. Often what happens is, you'll get a newcomer in front of the camera and they'll freeze up or they imitate actors or other performances that they've admired and so they stop becoming themselves. And so my job as the director is just to always return them to what I first saw in them, which was simply an uncensored human being.
What I learned constructive about women, not just ethics like never blame them if they pox you because somebody poxed them and lots of times they don't even know they have it — that's in the first reader for squares — is, no matter how they get, always think of them the way they were on the best day they ever had.
One of the things is we tend to give up too soon. We get knocked down a couple of times, and we stay down. It's so important to get back up again.
Trust is a function of both character and competence. Of course you can't trust someone who lacks integrity, but if someone is honest but they can't perform, you're not going to trust them either. You won't trust them to get the job done.
We gotta break these double-standards and get women to loosen up a bit. We gotta show them that we can do what we want to do how we want to do it. If someone doesn't like it, they can get to stepping.
If a fan approaches me and I feel like they have some kind of agenda, I'm probably gonna get real closed-off and not talk to them. But if I feel a connection with someone, or if I feel a certain trust with somebody, I feel like, 'You know what, I can open up to this person and tell them about an experience.'
Somebody comes to my house and admires what I've done, sometimes I just give it to them. Because I don't want to get it all tied up in all that professional stuff because I have to do that as a writer. I don't need that. I need something like painting, where I can just play.
Drug addiction is an incredibly difficult challenge to manage on one's own. When I think of all the stories I've heard from people, the common denominator is that they all were ultimately able to find somebody who was willing to support them. Maybe it was someone they knew, like a parent or a sibling or a friend; other times it was a treatment center with a compassionate staff who didn't give up on them. That made all the difference.
At the end of the day, having a partner in crime for life is so amazing and special, when it's real and genuine, that it's worth taking the risk. And you are going to get hurt; trust me - I know! I've been hurt a couple times - maybe more than a couple times. But you gotta pick yourself back up and give it another chance.
I find I like to work with a lot of the same actors, because I find that there's sort of shorthand there, and there is this unspoken trust, both ways. They trust me and I trust them. And I know what I'm going to get from them, to an extent. It's just fun, kind of creating this little family.
We have three kinds of guys on our team. We have guys that get it; they play good; they understand how to play winning football. We have some guys that are trying to get it, and they are working hard every day? We are supporting them, and we want the guys that have it to support them. Then we have some guys that don't get it and don't know that they don't get it. We are trying to replace them. We only have a couple left.
I'm trying..." How could I put it? "I'm trying to get far enough down the line so that I can remember." I stopped, then continued: "so that I can remember without the pain killing me" And the days were stacking up. And weeks. And months. It was now almost the middle of June and he'd died in February, but I still felt like I'd just woken from a horrible dream, that I was suspended in that stunned, paralyzed state between sleep and reality where I was grasping for, but couldn't get a handle on normality.
When I'm with someone, I give them my time, and I give them my energy because I like making someone feel loved! And making them laugh, and just, like, being there with them.
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