A Quote by Jane Campion

There is a different kind of vulnerability when a woman is directing — © Jane Campion
There is a different kind of vulnerability when a woman is directing
Directing is not about gender. Directing is individual to the actual individual. From woman to woman, directing is completely different. It's about giving more than half the population a chance to express themselves, you know what I mean? It doesn't always mean it's going to be more sensitive.
I looked like a woman in glasses, but I had dreams of leading a very different kind of life, the life of a woman who would not wear glasses, the kind of woman I saw from a distance now and then in a bar.
I love to direct! I get really jazzed by directing, but directing is not the same kind of personal expression, the same kind of personal intimate expression that writing is. Because when you're directing, you're basically managing, basically getting out of people doing their job, except when you see them going astray.
Pristine vulnerability is just so boring to me. The performances that I love are ones like Gena Rowland's in 'A Woman Under the Influence,' where women are allowed to be messy and imperfect. It's that kind of woman that has always inspired me to seek roles that are a little out of the box. I just haven't always had the opportunity to do them.
There is a vulnerability that any woman has in a situation where you're surrounded by men in an enclosed space. You learn through time different defense mechanisms, and it could be for protection, for emotional, physical, everything.
Revenge tries to solve the problem of vulnerability. If I strike back, I transfer vulnerability from myself to the other. And yet by striking back I produce a world in which my vulnerability to injury is increased by the likelihood of another strike. So it seems as if I'm getting rid of my vulnerability and instead locating it with the other, but actually I'm heightening the vulnerability of everyone and I'm heightening the possibility of violence that happens between us.
I would recommend that any writer get off their ass at least once and just try it. Directing is a completely different set of muscles. It also affects your writing because, once you start directing, you tend to write your scripts with directing in mind.
I think directing and writing are very different jobs. Obviously, directing is a more social and managerial job. The other thing about directing is that it's a very, very pragmatic job, and writing isn't.
I would consider directing. I think directing myself would be tough, but I'm definitely interested in directing. I might start off directing a play before I move to a film.
The fact that I am a woman does not make me a different kind of Christian, but the fact that I am a Christian makes me a different kind of woman.
In my opinion, the most important thing as a woman leader-and I learned this early through a whole bunch of great women who were in my life (and men, I have to say)-is that if you have a position of leadership and power and you don't use it in a different way, then you're wasting it. So when people used to say to me when I was the first woman president of PBS, "Well, you know, does that mean that as a woman you're going to be a different kind of president?" And I would say, "Well, I hope so!"
I don't direct so that I can have an identity and so I can go on to CGI movies. I had a big identity as an actor, and that's not what I'm looking for from directing. Directing is a whole different goal.
I would love to try my hand at directing and even producing in some kind of way. Something about that intrigues me, but for directing I could completely see myself trying.
There is this film called 'La Femme Nikita.' I want to play something like that. This woman with a gun in her hand but with tears in her eyes. I would love to play that kind of vulnerability on screen.
I've come to this belief that, if you show me a woman who can sit with a man in real vulnerability, in deep fear, and be with him in it, I will show you a woman who, A, has done her work and, B, does not derive her power from that man. And if you show me a man who can sit with a woman in deep struggle and vulnerability and not try to fix it, but just hear her and be with her and hold space for it, I'll show you a guy who's done his work and a man who doesn't derive his power from controlling and fixing everything.
I was the first woman to win a Tony for directing, but the second woman came along five minutes later.
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