A Quote by Jane Campion

So many actors are not open in front of the camera - they have a persona. — © Jane Campion
So many actors are not open in front of the camera - they have a persona.
The stigma that used to exist many years ago, that actors from film don't do television, seems to have disappeared. That camera doesn't know it's a TV camera... or even a streaming camera. It's just a camera.
When I'm not wearing makeup, when I'm not in front of the camera, I can be just Hrithik. I can sit with my watchman or with the spot boy and chat with him. I do that. Which is why I am able to differentiate between the person I am and the persona that is projected. It's not the person people are crazy about, it's the persona, it's the magic of the movies and you have to understand that.
I ask my assistants if they're retarded all the time. When the camera is on you, of course, actors have the ability to make it real. For me, if I'm not talking, it is a problem. I have so much more respect for actors after being in front of the camera, and I realize that the hardest part is when you're not talking. Listening is harder than just acting. Listening is the hardest part.
I really trust the authenticity of real people and my job is to get them to be themselves in front of the camera. Often what happens is, you'll get a newcomer in front of the camera and they'll freeze up or they imitate actors or other performances that they've admired and so they stop becoming themselves. And so my job as the director is just to always return them to what I first saw in them, which was simply an uncensored human being.
All actors are protecting something, in their own way, that happens in front of a camera.
I want to prove that actors are good, not just at working in front of the camera.
Neil Mahoney was definitely the visionary in taking 'Freak Dance' from stage to screen. He made it more cinematic. He brought the choreography, all the ways to shoot that. I was more the director of actors. I was in front of the camera directing, and he was behind the camera directing.
I could never imagine myself acting in front of a camera or doing anything in front of the camera. I was a very shy girl.
Being on set in front of the camera, it makes me happy and extremely grateful whenever I'm in front of the camera.
I've always said the one advantage an actor has of converting to a director is that he's been in front of the camera. He doesn't have to get in front of the camera again, subliminally or otherwise.
I had improvised a lot in classes and at the Actors Studio, but I never did it in front of the camera.
Ninety-eight per cent of actors who actually make a living do so in front of a camera.
In front of the camera, I find it difficult. As far as the actors are concerned, it is easy for them to do it but not for me.
'Hollyoaks' is where I learnt a lot of the craft, being in front of a camera six days a week. That's certainly an experience you don't get in drama school. It invites you to be comfortable in front of the camera.
I think it's probably safe to say that continuing our onscreen relationship in front of the camera is probably not happening. I expect Adam may well pursue things in front of the camera, but I'm most likely not. It's not who I am.
If a person is in front of a camera, they're acting. It's not possible to live in front of a camera.
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