A Quote by Jane Campion

I had a daughter who was 9 years old and I had the feeling I wasn't going to be a real parent if I didn't quit making movies for a while and spend time with her. I also felt that I'd made enough movies and said what I had to say at the time.
The idea of going to the movies made Hugo remember something Father had once told him about going to the movies when he was just a boy, when the movies were new. Hugo's father had stepped into a dark room, and on a white screen he had seen a rocket fly right into the eye of the man in the moon. Father said he had never experienced anything like it. It had been like seeing his dreams in the middle of the day.
Jacks stood beside her. Instead of saying anything, she felt his fingers trace up her palm and then lace into hers. He had taken her hand before, quickly and for functional reasons—usually to drag her off to someplace she didn’t want to go—but he had never held her hand. Not the way couples did in parks or lovers did in old movies. Maddy stood there and felt the heat of his grip. It made her think of that first night in the diner, when they had talked about pretend memories and she had felt so connected to him.
My love of movies started when I was 7 years old, living in a small town, going to the movies all the time, and finding the people in the movies more interesting than the people in my small town. Also, at that time, it wasn't that easy to find out about movies.
The earliest influence on me was the movies of the thirties when I was growing up. Those were stories. If you look at them now, you see the development of character and the twists of plot; but essentially they told stories. My mother didn't go to the movies because of a religious promise she made early in her life, and I used to go to movies and come home and tell her the plots of those old Warner Brothers/James Cagney movies, the old romantic love stories. Through these movies that had real characters, I absorbed drama, sense of pacing, and plot.
Honestly, I had a kid, so you watch the movies your kids want to watch. I'm also a producer, so when I watch movies, I look at them from the genre they are, the budget they had, and the time they had to produce it. That's how I evaluate their success.
If you had been a public figure from the time you were a toddler, if you'd had to fight for a life that felt real and honest and normal against all odds, than maybe to you might value privacy above all else. I have given everything up there from the time that I was three-years old. That's reality show enough, don't you think?
I have a nineteen-month old daughter. I totally don't mind devoting time to her. When you have a kid, it's hard to go out to the movies. I really don't know what's going on with comic book movies.
I just spent a lot of time on 'ER' for that eight years. I also started working when I was 16, so by the time I left 'ER,' I was 40 years old, I had this incredible experience, my wife had this great company, we had four kids, it was like, 'Let's go to New York and live for a while and make that the priority.'
I'll say - I have four kids! I married a woman when I was 24 years old. She was 13 years my senior. She had been married twice before. I adopted them. I was 24 and had a 17-year-old son instantly, an 11-year-old daughter, a 5-year-old, and a child on the way. So I had to learn how to become a parent very quickly.
I wish I was making movies back in the days when John Ford made movies and you were a director under contract to a studio. John Ford had years when he made three movies in a year.
Well, this movie I've been working on for a while. I had the idea for the movie like twenty years ago when I was doing 'Empire of the Sun' in 1987 because at that time that's when all these Vietnam movies were being made and my friends and I were going on auditions for these Vietnam movies and my friends were getting them and going away to fake boot camps.
A friend of ours, the wife of a pastor at a church in Colorado, had once told me about something her daughter, Hannah, said when she was three years old. After the morning service was over one Sunday, Hannah tugged on her mom's skirt and asked. "Mommy, why do some people in church have lights over their heads and some don't?" At the time, I remember thinking two things: First, I would've knelt down and asked Hannah, "Did I have a light over my head? Please say yes!" I also wondered what Hannah had seen, and whether she had seen it because, like my son, she had a childlike faith.
Lord of the Rings was my first experience making movies and at the time, I had no ideas how movies were done. I thought that's the way they're done, so in a way, I had nothing to compare it to.
I took business classes as a back up but I made movies all the time. I would get my classes done in two days and then spend the rest of the time making my movies.
Richard Donner made great movies. Seminal movies. The Academy, though, and we have to be careful here, should recognize popular films. Popular films are what make it all work. There was a time when popular movies were commercial movies, and they were good movies, and they had to be good movies. There was no segregation between good independent films and popular movies.
The movies had a slogan at the time, to distinguish themselves from TV, that said 'movies are better than ever.'
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