A Quote by Jane Campion
But I think it's quite clear in my work that my orientation isn't political or doesn't come out of modern politics.
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I think the reason you see so many people dropping out of politics is because there's an anti-poetic strain in modern political discourse.
I write some art criticism, and one thing that's clear to me is that politics is fashionable in the American art world in a way it maybe isn't in American fiction. Your work of art becomes fashionable the moment it has some kind of political commentary. I think this has its dangers - the equation between fashion, politics, and art is problematic for obvious reasons. Nonetheless, the notion of politics as being de rigueur in the world of fiction is almost unthinkable. In fiction in America at the moment, the escape into whimsy is far more prevalent than the political.
What this brings out is that modern politics cannot be a matter of genuine moral consensus. And it is not. Modern politics is civil war carried on by other means.
I don't think you can work on feelings in politics, apart from anything else, political change can come very unexpectedly, sometimes overnight when you least expect it.
The attempt to divide art and politics is a bourgeois which says good poetry, art, cannot be political, but since everything is … political, even an artist or work that claims not to have any politics is making a political statement by that act.
I think I've yet to do the big heave is because New York editors tend to think D.C. guys like me want to do political stories. And I hate politics for its own sake. Politics are so... I don't know, political. Which is an odd thing for a guy to say, I suppose, who has worked at a political magazine for fourteen years.
I can't define myself as a political writer - I don't think I've earned it, and I don't function as a political writer in the way that many of the writers I admire do. It's not simply a question of context, of where I'm writing from - there is much in American society that urgently needs to be written about. I think your work is always engaged with politics in the looser sense of the word - and that looseness is itself a kind of privilege - because politics and culture are evidently intertwined.
While much of modern behavioral and social science treats individuals as autonomous agents, it is absolutely clear that the way we think and act is enormously influenced by the culture in which we live. It also is clear that the major elements of modern culture-science, technology, law, music, and religion-have evolved over time in a quite concrete sense of the term. Mesoudi makes these arguments very well and his book is a very good read.
It is one of the little known facts about modern Scottish politics that it is not quite as cut-throat as people think it is.
I think the fact that we have been focussing on politics quite a lot and the tumult of politics rather than what we should be doing in terms of policy has made, I think, voters quite grumpy.
I have a very clear, genuine vision about what political work should be, what politics and politicians should contribute to the nation.
In the case of Donald Trump I think you've got to accept that a lot of what's going on in political discourse is based upon judgement. How the economy works - how people work - what will come to pass - what will not come to pass - what is possible - what is not possible. There is this whole modal dimension. There's a lot in politics that is making a judgement about what might be and can be and would be. Trump frightens a lot of people but there is a bizarre possible world in which it turns out as he's vindicated, though most of us think the evidence is against it.
Now the sole remedy for the abuse of political power is to limit it; but when politics corrupt business, modern reformers invariably demand the enlargement of the political power.
[I talk politics with Ted Turner] quite often. Usually with a great deal of excitement, because he has one political view and I have another. Despite our politics,we've agreed to be friends.
My family was entirely political, all the time, on the left. The opposite of that is not to be political on the right. It's trying not to be - politics is not everything. There's life other than politics. Politics intrudes.
Thus, the focus on this main political goal must become more visible in EU politics and to achieve this, we need a political impulse. It must be clear what the priorities on the agenda are.
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