A Quote by Jane Campion
Performers are so vulnerable. They're frightened of humiliation, sure their work will be crap. I try to make an environment where it's warm, where it's OK to fail - a kind of home, I suppose.
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I think that the thing that holds so many of us back is our fear that we might fail, and I think we lose an incredible amount of talent and energy and enthusiasm that way. So I think, since I'm kind of a shining example of losing, that it's important for me to show that it's OK to lose, that I'm still so happy that I entered the fight, that I fought for something that mattered to me and that I gave voice to it and I made it part of the conversation. I want young women to know that it is OK to fail - it's not OK to stay home. It's not OK to not try.
I was never really that worried about being a member of the Sopranos crew. I think it looks kind of fun to not have to work, to not have to take crap from anybody. And then there's the reality check in there, which is that you do have to work, you do have to take crap from people, and you can fail, and all these other things.
I think many businesses will allow their employees to work from home. The main challenge here is how to make sure Zoom will give a better and safer experience to users than compared to that in an office environment.
Eric and I have a pact. Offseason, we focus on my career. And during the season, I try to be the best wifey. I make sure he has a warm dinner to come home to.
I'm the kind of person who will make sure everybody is OK.
If you're not frightened that you might fail, you'll never do the job. If you're frightened, you'll work like crazy.
In some ways, it's good for company culture to build things that are intended to fail because it creates an environment where it's OK to fail. A lot of people are very scared of that, especially in the workplace.
With most electronic music I hear now, the things I like will be the things that have soul. It has to have a feeling in it, where it feels warm, or feels epic. I like to play with that in my music as well, there will always be a piano chord or something underneath it to make you feel at home. I always try and make sure even with vocals and layering that you still feel like you know me, no matter whether you're into grime or hip hop.
Do what you love, but be damned sure it's profitable. If you do work you love, but it doesn't generate income, your business will fail. If you do work you hate, but it generates income, your health will fail... and your business along with it. If you can't do what you love and make it profitable, you've either got a hobby or a headache, not a sustainable business. Don't settle for anything less than passion and profit.
Just concentrate on the performers. Make sure you get the performers, and that's it. That's all we need to do." And I was thinking, "Well what if you do both? Of course the performance is important, the writing is really important. But what if you could have the perfect marriage of making it look really slick as well?" I think that's kind of what I tried to develop as a style, and Spaced was the first TV show I did where all the elements came together.
I suppose that's a question most often asked of me by people who would like to make a positive contribution towards a sustainable future and a healthy environment. There are so many things that need to be done that sometimes it seems overwhelming. I try to remind everyone that no one person has to do it all but if each one of us follows our heart and our own inclinations we will find the small things that we can do, and together we will come up with enough to create a sustainable future and a healthy environment.
I suppose I view my behavior in such a unique way. I frame it as an artist and maybe kind of make excuses for it. I suppose I romanticize my own life when I write. I always try to think whether it actually is quite romantic.
I kind of viewed '50/ 50' and 'Warm Bodies' both as my next films after 'The Wackness.' In my head, I was just like, 'I'll try the big, fun, adventure-weird movie, and I'll do the small, heartfelt comedy-drama, and one of them will probably work out, and I'll get to work more.'
But what if I fail? You will. A better question might be, ‘after I fail, what then?’ If you’ve chosen well, after you fail you will be one step closer to succeeding, you will be wiser and stronger and you almost certainly will be more respected by all of those that are afraid to try.
You can accomplish amazing things with this if you have a passion and you work hard - I just think it’s a cop out to say 'I wasn’t born with this, so it’s OK if I fail'. You can make up the difference with hard work and devotion.
I let the comedy come through the character and just try to make sure that everything is kind of rounded in a truth, in a reality, because that's what I need to make a character work.
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