A Quote by Jane Fallon

As an adult, I had to accept that I was not a natural distance runner. Anything more than about 400 metres had me gasping and wheezing like a broken accordion. — © Jane Fallon
As an adult, I had to accept that I was not a natural distance runner. Anything more than about 400 metres had me gasping and wheezing like a broken accordion.
What is natural in me, is natural in many other men, I infer, and so I am not afraid to write that I never had loved Steerforth better than when the ties that bound me to him were broken. In the keen distress of the discovery of his unworthiness, I thought more of all that was brilliant in him, I softened more towards all that was good in him, I did more justice to the qualities that might have made him a man of a noble nature and a great name, than ever I had done in the height of my devotion to him.
Nothing is more debilitating than to care about something you can't do anything about. And you can't do anything about your adult children. You can want better for them, and maybe even begin to provide something for them, but in the long run, you cannot do anything about someone else's vibration other than hold them in the best light you can, mentally, and then project that to them. And sometimes, distance makes that much more possible than being up close to them.
[Lee Morgan] was the only young cat that scared me when he played. He had so much fire and natural feeling. I had more technique, but he had that feeling. People seemed to like him more than they like me at the beginning.
I've had my fair share of colds, which last longer than they should and can cause wheezing, so I avoid people who are sneezing like the plague and am scrupulous about hygiene and hand-washing.
The novelist is more a marathon runner than long-distance runner and the kind of courage it takes working in such isolation cannot be underestimated. I really respect my fellow writers on this front.
Home is where the heart is, I thought now, gathering myself together in Betty's Luncheonette. I had no heart any more, it had been broken; or not broken, it simply wasn't there any more. It had been scooped neatly out of me like the yolk from a hard-boiled egg, leaving the rest of me bloodless and congealed and hollow. I'm heartless, I thought. Therefore I'm homeless.
The single biggest change in middle-distance running, from the 1500 metres to 10,000 metres, has been the track surface.
My parents had a sidewalk cafe: every Sunday there was an accordion player and apparently I went through the motions, squeezing a shoebox. One of the regulars in 'the cafe said to my father: "I think you should get your son an accordion-that's what he's trying to do, with that shoebox." So they got me a little cardboard diatonic accordion-I still have it. I started to play the National Anthem, and things like that. It seems I was musically gifted-but my parents just never pushed in that direction.
I came in on this movie after there had been a director and I came in after Tom Courtenay had talked to Ron Harwood about making a movie. So, you know Tom and Albert Finney had been friends since the beginning of their career as they became stars around the same time - Tom always reminds me that Albert was first with Saturday Night and Sunday Morning and then Tom with The Long Distance Runner.
For me the very important thing was never to forget that they had no right to have me there, that my duty was to escape and that I needed to get back to my family and to my children no matter what. And that I could not accept to just see them as an authority, that I had to always keep in mind that I had to rebel and to keep my distance and to protect my soul because the core of the problem is dignity.
I had no idea about where I was going. I had no sense of art as anything other than a problem to be fixed, you know, an itch to be scratched. I was in that studio trying my best to feel content with myself. I had, like, a stipend. I had a place to sleep. I had a studio to work in. I had nothing else to think about, you know. And that's - that was a huge luxury in New York City.
I've had more acne as an adult than I had as a teenager. After weaning babies, my skin's gone totally bonkers. I didn't even know about dermatologists until I had weaned my first baby, and my skin was so damaged. It was just beyond. And then, I realized, there's a whole doctor who can help you with this.
I could never be a distance runner, because I can't run for more than ten minutes. There aren't enough iPod gigabytes in the world to make that worth it for me.
I was, like, forty at birth. When I wasn't even a year old, I spoke, I was potty trained, I walked and talked. That was it. Then I started school and drove everybody crazy because they realized I had popped out as an adult. I had adult questions and wanted adult answers.
The distance between the adolescent and the true adult is about five thousand miles, but the distance between the adult and the elder is almost as large.
I'm a runner from sports. I've been a runner, but I wasn't a cross-country runner or anything like that. I played a lot of soccer growing up.
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