A Quote by Janet Reno

If America's tv and movie producers are unwilling to clean up their act... when it comes to sex, bloodshed and violence in their programming... the government stands ready to step in.
We tried to make a movie that had sex and violence because we like sex and violence.
And we can celebrate when we have a government that has earned back the trust of the people it serves... when we have a government that honors our Constitution and stands up for the values that have made America, America: economic freedom, individual liberty, and personal responsibility.
Two things I do well in books are sex and violence, but I don't want gratuitous sex or violence. The sex and violence are only as graphic as need be. And never included unless it furthers the plot or character development.
Two things I do well in books are sex and violence, but I don't want gratuitous sex or violence. The sex and violence are only as graphic as need be. And never included unless it furthers the plot or character development
All sex, even consensual sex between a married couple, is an act of violence perpetrated against a woman.
I cannot believe that violence depicted onscreen actually causes people to act out violently. That's oversimplifying the issue. If somebody commits a violent act after seeing violence in a movie, I think the question that needs to be asked is: would that person still have committed the act if he had not seen a violent film?
TV acting is so extremely intimate, because of the peculiar involvement of the viewer with the completion or "closing" of the TV image, that the actor must achieve a great degree of spontaneous casualness that would be irrelevant in movie and lost on the stage. For the audience participates in the inner life of the TV actor as fully as in the outer life of the movie star. Technically, TV tends to be a close-up medium. The close-up that in the movie is used for shock is, on TV, a quite casual thing.
By deafening ourselves to the emotional consequences of violence we have become confused by its relationship to sex. We have come to believe that violence equals aggression, and we have come to base our model of sexuality on our model of violence... converting an act of aggression into an act of consensual sexuality.
The big difference in those days was that in England the Government subsidized TV, in America we work on TV so we can subsidize the Government.
This is certainly not to excuse the violence that exists on TV and films and on the Internet. But the truth is that wherever you go in Europe, there are American films and TV shows that are just as popular as at home. And you don't have that sense of violence in any other place other than America.
America is ready for intelligent talk. I am ready to bring some humanity to TV.
America can win the global energy race of the future, but only if we act boldly. We can and should seize the massive economic opportunity of leading the world in clean energy, by making investments that would create countless high-paying jobs and clean up our air and water in the process.
It can really vary from movie to movie what the producer's role is and there are all kinds of producers. There are line producers who do a lot of the nuts and bolts work on the set.
I was at a party, and some squiggly looking dude with a bow tie came up and said, 'How'd you like to be on TV?' Turns out he was the programming guy at the Food Network. They had me come into the office, and I did a 'Ready, Set, Cook' with Emeril Lagasse, I believe.
Any athlete or any actor who's preparing for a long time to step on a stage or step on a field or step on a movie set, who suffers an injury right before you're getting ready to perform or to execute - it is a massive challenge that's thrown your way that you didn't expect.
Sequential programming is really hard, and parallel programming is a step beyond that.
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